These American novels unconsciously reveal all the little household secrets; we see the meals as they are put upon the table, we learn the dresses which those who sit down in them wear (and what a temptress “Fashion” seems to be in certain cities to all manner of vulgar extravagance!); we hear their kindly family discourse, we enter into their home struggles, and we rejoice when they gain the victory. Now all this knowledge of what the Americans really are is good for us, as tending to strengthen our power of understanding them, and consequently to increase our sympathy with them. Let us trust that they learn something of the same truth from reading fiction written on this side of the Atlantic; the truth that, however different may be national manifestations of the fact, still, below accents, manners, dress, and language, we have
“All of us one human heart.”
E. C. G.
Biographical
Description of Charlotte Brontë
From the Life of Charlotte Brontë
This is perhaps a fitting time to give some personal description of Miss Brontë. In 1831, she was a quiet, thoughtful girl, of nearly fifteen years of age, very small in figure—“stunted” was the word she applied to herself—but as her limbs and head were in just proportion to the slight, fragile body, no word in ever so slight a degree suggestive of deformity could properly be applied to her; with soft, thick, brown hair, and peculiar eyes, of which I find it difficult to give a description, as they appeared to me in her later life. They were large, and well-shaped; their colour a reddish brown; but if the iris was closely examined, it appeared to be composed of a great variety of tints. The usual expression was of quiet, listening intelligence; but now and then, on some just occasion for vivid interest or wholesome indignation, a light would shine out, as if some spiritual lamp had been kindled, which glowed behind those expressive orbs. I never saw the like in any other human creature. As for the rest of her features, they were plain, large, and ill set; but, unless you began to catalogue them, you were hardly aware of the fact, for the eyes and power of the countenance overbalanced every physical defect; the crooked mouth and the large nose were forgotten, and the whole face arrested the attention, and presently attracted all those whom she herself would have cared to attract. Her hands and feet were the smallest I ever saw; when one of the former was placed in mine, it was like the soft touch of a bird in the middle of my palm. The delicate long fingers had a peculiar fineness of sensation, which was one reason why all her handiwork, of whatever kind—writing, sewing, knitting—was so clear in its minuteness. She was remarkably neat in her whole personal attire; but she was dainty as to the fit of her shoes and gloves.
I can well imagine that the grave serious composure, which, when I knew her, gave her face the dignity of an old Venetian portrait, was no acquisition of later years, but dated from that early age when she found herself in the position of an elder sister to motherless children. But in a girl only just entered on her teens, such an expression would be called (to use a country phrase) “old-fashioned”; and in 1831, the period of which I now write, we must think of her as a little, set, antiquated girl, very quiet in manners, and very quaint in dress; for, besides the influence exerted by her father’s ideas concerning the simplicity of attire befitting the wife and daughters of a country clergyman, her aunt, on whom the duty of dressing her nieces principally devolved, had never been in society since she left Penzance, eight or nine years before, and the Penzance fashions of that day were still dear to her heart.