Though modest and retiring almost to a fault, she had the courage of her convictions, and her pitiful story thrilled throughout the land, bearing its supreme message for tolerance and assistance to those who could not help themselves.
It was a bold step to criticise the doings of her neighbours, but how well she did it in Mary Barton! and when that novel was judged to be all on the side of the poor and against their employers, she struck the balance admirably in North and South, by giving both sides of the question.
It must be remembered that Mary Barton was written more than sixty years ago, when there was little organised help for the poor and oppressed, either by the Churches or the State. It was her clarion note which did much to arouse the rich and show them their rightful duty towards the poor.
Mrs. Gaskell was not afraid to write a story with a purpose. She practised what she preached, and with her husband, the faithful minister of Cross Street Chapel, she did her best to alleviate the awful poverty which she daily saw around her. This pioneer work which Mr. and Mrs. Gaskell did so quietly and unostentatiously bore fruit in later days, and Manchester holds their names in grateful remembrance.
Endowed with quick intuition, well-balanced judgment and sound common sense, she found no difficulty in depicting the actual life of the poverty-stricken operatives of Lancashire. Her first novel, in some ways her best because of the intense feeling which breathes through it, placed her at one bound in the ranks of the best writers of the day, a position which she retained for the remaining years of her life, producing novels which are noted for their pure and sweet homeliness and their tender touch. She never aspired to sensationalism, but was content to give us “everyday stories,” as she was wont to call them, and for that reason she appeals to the young as well as the old and to all classes of society.
George Sand once remarked to Lord Houghton, “Mrs. Gaskell has done what neither I nor any other female writers in France can accomplish, she has written novels which excite the deepest interest in men of the world, and yet which every girl will be the better for reading.”
Mary Barton, with its pathetic message, Cranford, that matchless prose idyll, and the fascinating Life of Charlotte Brontë are her best known works, but there are no less than six other novels: Ruth, North and South, My Lady Ludlow, Sylvia’s Lovers, Cousin Phillis, and Wives and Daughters—her best and longest novel—all of which deserve to be much better known. In addition, she wrote about forty articles and short stories, principally for Household Words and All the Year Round, under the genial editorship of Charles Dickens. All these go to prove that Mrs. Gaskell was not limited to one type of writing, and that she was equally at home in dealing with so many and such varied subjects.
Unlike Charlotte Brontë, who, great artist as she was, had a very narrow range, Mrs. Gaskell culled from many sources, and her canvas was often very crowded, though her beautiful sketches of life are almost unrivalled for fulness and variety. “No one ever came near her in the gift of telling a story,” said one who knew her before she became a writer.
Mrs. Gaskell had a great aversion to criticism, and whilst very indifferent to praise, she was acutely sensitive to blame, and for these reasons she wished her works to be her only memorial, and that, apart from the writer, they should be judged on their merits alone.