My friend asked the daughter of the house for permission to go into an inner chamber and see her mother. It was granted, and we went into a sort of saloon, overlooking the Neckar; very small, very bright, and very close. The floor was slippery with polish; long narrow pieces of looking-glass against the walls reflected the perpetual motion of the river opposite; a white porcelain stove, with some old-fashioned ornaments of brass about it; a sofa, covered with Utrecht velvet, a table before it, and a piece of worsted-worked carpet under it; a vase of artificial flowers; and, lastly, an alcove with a bed in it, on which lay the paralysed wife of the good miller, knitting busily, formed the furniture. I spoke as if this was all that was to be seen in the room; but, sitting quietly, while my friend kept up a brisk conversation in a language which I but half understood, my eye was caught by a picture in a dark corner of the room, and I got up to examine it more nearly.
It was that of a young girl of extreme beauty; evidently of middle rank. There was a sensitive refinement in her face, as if she almost shrank from the gaze which, of necessity, the painter must have fixed upon her. It was not over-well painted, but I felt that it must have been a good likeness, from this strong impress of peculiar character which I have tried to describe. From the dress, I should guess it to have been painted in the latter half of the last century. And I afterwards heard that I was right.
There was a little pause in the conversation.
"Will you ask Frau Scherer who this is?"
My friend repeated my question, and received a long reply in German. Then she turned round and translated it to me.
"It is the likeness of a great-aunt of her husband's." (My friend was standing by me, and looking at the picture with sympathetic curiosity.) "See! here is the name on the open page of this Bible, 'Anna Scherer, 1778.' Frau Scherer says there is a tradition in the family that this pretty girl, with her complexion of lilies and roses, lost her colour so entirely through fright, that she was known by the name of the Grey Woman. She speaks as if this Anna Scherer lived in some state of life-long terror. But she does not know details; refers me to her husband for them. She thinks he has some papers which were written by the original of that picture for her daughter, who died in this very house not long after our friend there was married. We can ask Herr Scherer for the whole story if you like."
"Oh yes, pray do!" said I. And, as our host came in at this moment to ask how we were faring, and to tell us that he had sent to Heidelberg for carriages to convey us home, seeing no chance of the heavy rain abating, my friend, after thanking him, passed on to my request.
"Ah!" said he, his face changing, "the aunt Anna had a sad history. It was all owing to one of those hellish Frenchmen; and her daughter suffered for it—the cousin Ursula, as we all called her when I was a child. To be sure, the good cousin Ursula was his child as well. The sins of the fathers are visited on their children. The lady would like to know all about it, would she? Well, there are papers—a kind of apology the aunt Anna wrote for putting an end to her daughter's engagement—or rather facts which she revealed, that prevented cousin Ursula from marrying the man she loved; and so she would never have any other good fellow, else I have heard say my father would have been thankful to have made her his wife." All this time he was rummaging in the drawer of an old-fashioned bureau, and now he turned round, with a bundle of yellow MSS. in his hand, which he gave to my friend, saying, "Take it home, take it home, and if you care to make out our crabbed German writing, you may keep it as long as you like, and read it at your leisure. Only I must have it back again when you have done with it, that's all."
And so we became possessed of the manuscript of the following letter, which it was our employment, during many a long evening that ensuing winter, to translate, and in some parts to abbreviate. The letter began with some reference to the pain which she had already inflicted upon her daughter by some unexplained opposition to a project of marriage; but I doubt if, without the clue with which the good miller had furnished us, we could have made out even this much from the passionate, broken sentences that made us fancy that some scene between the mother and daughter—and possibly a third person—had occurred just before the mother had begun to write.
"Thou dost not love thy child, mother! Thou dost not care if her heart is broken!" Ah, God! and these words of my heart-beloved Ursula ring in my ears as if the sound of them would fill them when I lie a-dying. And her poor tear-stained face comes between me and everything else. Child! hearts do not break; life is very tough as well as very terrible. But I will not decide for thee. I will tell thee all; and thou shalt bear the burden of choice. I may be wrong; I have little wit left, and never had much, I think; but an instinct serves me in place of judgment, and that instinct tells me that thou and thy Henri must never be married. Yet I may be in error. I would fain make my child happy. Lay this paper before the good priest Schriesheim; if, after reading it, thou hast doubts which make thee uncertain. Only I will tell thee all now, on condition that no spoken word ever passes between us on the subject. It would kill me to be questioned. I should have to see all present again.