"Have you, my dear?"
"Yes, and I want you to read it."
"I am afraid it will try my eyes too much."
"But it is not in manuscript: it is printed."
"My dear! you've never thought of the expense it will be! It will be almost sure to be a loss, for how can you get a book sold? No one knows you or your name."
"But, papa, I don't think it will be a loss; no more will you, if you will just let me read you a review or two, and tell you more about it."
So she sate down and read some of the reviews to her father; and then, giving him the copy of "Jane Eyre" that she intended for him, she left him to read it. When he came in to tea, he said, "Girls, do you know Charlotte has been writing a book, and it is much better than likely?"
But while the existence of Currer Bell, the author, was like a piece of a dream to the quiet inhabitants of Haworth Parsonage, who went on with their uniform household life,—their cares for their brother being its only variety,—the whole reading-world of England was in a ferment to discover the unknown author. Even the publishers of "Jane Eyre" were ignorant whether Currer Bell was a real or an assumed name,—whether it belonged to a man or a woman. In every town people sought out the list of their friends and acquaintances, and turned away in disappointment. No one they knew had genius enough to be the author. Every little incident mentioned in the book was turned this way and that to answer, if possible, the much-vexed question of sex. All in vain. People were content to relax their exertions to satisfy their curiosity, and simply to sit down and greatly admire.
I am not going to write an analysis of a book with which every one who reads this biography is sure to be acquainted; much less a criticism upon a work, which the great flood of public opinion has lifted up from the obscurity in which it first appeared, and laid high and safe on the everlasting hills of fame.
Before me lies a packet of extracts from newspapers and periodicals, which Mr. Brontë has sent me. It is touching to look them over, and see how there is hardly any notice, however short and clumsily-worded, in any obscure provincial paper, but what has been cut out and carefully ticketed with its date by the poor, bereaved father,—so proud when he first read them—so desolate now. For one and all are full of praise of this great, unknown genius, which suddenly appeared amongst us. Conjecture as to the authorship ran about like wild-fire. People in London, smooth and polished as the Athenians of old, and like them "spending their time in nothing else, but either to tell or to hear some new thing," were astonished and delighted to find that a fresh sensation, a new pleasure, was in reserve for them in the uprising of an author, capable of depicting with accurate and Titanic power the strong, self-reliant, racy, and individual characters which were not, after all, extinct species, but lingered still in existence in the North. They thought that there was some exaggeration mixed with the peculiar force of delineation. Those nearer to the spot, where the scene of the story was apparently laid, were sure, from the very truth and accuracy of the writing, that the writer was no Southeron; for though "dark, and cold, and rugged is the North," the old strength of the Scandinavian races yet abides there, and glowed out in every character depicted in "Jane Eyre." Farther than this, curiosity, both honourable and dishonourable, was at fault.