"About a fortnight ago, I received a letter from Miss Martineau; also a long letter, and treating precisely the same subjects on which yours dwelt, viz., the Exhibition and Thackeray's last lecture. It was interesting mentally to place the two documents side by side—to study the two aspects of mind—to view, alternately, the same scene through two mediums. Full striking was the difference; and the more striking because it was not the rough contrast of good and evil, but the more subtle opposition, the more delicate diversity of different kinds of good. The excellences of one nature resembled (I thought) that of some sovereign medicine—harsh, perhaps, to the taste, but potent to invigorate; the good of the other seemed more akin to the nourishing efficacy of our daily bread. It is not bitter; it is not lusciously sweet: it pleases, without flattering the palate; it sustains, without forcing the strength.
"I very much agree with you in all you say. For the sake of variety, I could almost wish that the concord of opinion were less complete.
"To begin with Trafalgar Square. My taste goes with yours and Meta's completely on this point. I have always thought it a fine site (and SIGHT also). The view from the summit of those steps has ever struck me as grand and imposing—Nelson Column included the fountains I could dispense with. With respect, also, to the Crystal Palace, my thoughts are precisely yours.
"Then I feel sure you speak justly of Thackeray's lecture. You do well to set aside odious comparisons, and to wax impatient of that trite twaddle about 'nothing newness'—a jargon which simply proves, in those who habitually use it, a coarse and feeble faculty of appreciation; an inability to discern the relative value of ORIGINALITY and NOVELTY; a lack of that refined perception which, dispensing with the stimulus of an ever-new subject, can derive sufficiency of pleasure from freshness of treatment. To such critics, the prime of a summer morning would bring no delight; wholly occupied with railing at their cook for not having provided a novel and piquant breakfast-dish, they would remain insensible to such influences as lie in sunrise, dew, and breeze: therein would be 'nothing new.'
"Is it Mr. ——'s family experience which has influenced your feelings about the Catholics? I own, I cannot be sorry for this commencing change. Good people—VERY good people—I doubt not, there are amongst the Romanists, but the system is not one which would have such sympathy as YOURS. Look at Popery taking off the mask in Naples!
"I have read the 'Saints' Tragedy.' As a 'work of art' it seems to me far superior to either 'Alton Locke' or 'Yeast.' Faulty it may be, crude and unequal, yet there are portions where some of the deep chords of human nature are swept with a hand which is strong even while it falters. We see throughout (I THINK) that Elizabeth has not, and never had, a mind perfectly sane. From the time that she was what she herself, in the exaggeration of her humility, calls 'an idiot girl,' to the hour when she lay moaning in visions on her dying bed, a slight craze runs through her whole existence. This is good: this is true. A sound mind, a healthy intellect, would have dashed the priest-power to the wall; would have defended her natural affections from his grasp, as a lioness defends her young; would have been as true to husband and children, as your leal-hearted little Maggie was to her Frank. Only a mind weak with some fatal flaw COULD have been influenced as was this poor saint's. But what anguish what struggles! Seldom do I cry over books; but here, my eyes rained as I read. When Elizabeth turns her face to the wall—I stopped—there needed no more.
"Deep truths are touched on in this tragedy—touched on, not fully elicited; truths that stir a peculiar pity—a compassion hot with wrath, and bitter with pain. This is no poet's dream: we know that such things HAVE been done; that minds HAVE been thus subjugated, and lives thus laid waste.
"Remember me kindly and respectfully to Mr. Gaskell, and though I have not seen Marianne, I must beg to include her in the love I send the others. Could you manage to convey a small kiss to that dear, but dangerous little person, Julia? She surreptitiously possessed herself of a minute fraction of my heart, which has been missing, ever since I saw her.—Believe me, sincerely and affectionately yours,
C. BRONTË."
The reference which she makes at the end of this letter is to my youngest little girl, between whom and her a strong mutual attraction existed. The child would steal her little hand into Miss Brontë's scarcely larger one, and each took pleasure in this apparently unobserved caress. Yet once when I told Julia to take and show her the way to some room in the house, Miss Brontë shrunk back: "Do not BID her do anything for me," she said; "it has been so sweet hitherto to have her rendering her little kindnesses SPONTANEOUSLY."