"My dear Sir,—Mr. Smith intimated a short time since, that he had some thoughts of publishing a reprint of Shirley. Having revised the work, I now enclose the errata. I have likewise sent off to-day, per rail, a return-box of Cornhill books.
"I have lately read with great pleasure, 'The Two Families.' This work, it seems, should have reached me in January; but owing to a mistake, it was detained at the Dead Letter Office, and lay there nearly two months. I liked the commencement very much; the close seemed to me scarcely equal to 'Rose Douglas.' I thought the authoress committed a mistake in shifting the main interest from the two personages on whom it first rests—viz., Ben Wilson and Mary—to other characters of quite inferior conception. Had she made Ben and Mary her hero and heroine, and continued the development of their fortunes and characters in the same truthful natural vein in which she commences it, an excellent, even an original, book might have been the result. As for Lilias and Ronald, they are mere romantic figments, with nothing of the genuine Scottish peasant about them; they do not even speak the Caledonian dialect; they palaver like a fine lady and gentleman.
"I ought long since to have acknowledged the gratification with which I read Miss Kavanagh's 'Women of Christianity.' Her charity and (on the whole) her impartiality are very beautiful. She touches, indeed, with too gentle a hand the theme of Elizabeth of Hungary; and, in her own mind, she evidently misconstrues the fact of Protestant charities SEEMING to be fewer than Catholic. She forgets, or does not know, that Protestantism is a quieter creed than Romanism; as it does not clothe its priesthood in scarlet, so neither does it set up its good women for saints, canonise their names, and proclaim their good works. In the records of man, their almsgiving will not perhaps be found registered, but Heaven has its account as well as earth.
"With kind regards to yourself and family, who, I trust, have all safely weathered the rough winter lately past, as well as the east winds, which are still nipping our spring in Yorkshire,—I am, my dear Sir, yours sincerely,
C. BRONTË."
"April 3rd, 1852.
"My dear Sir,—The box arrived quite safely, and I very much thank you for the contents, which are most kindly selected.
"As you wished me to say what I thought of 'The School for Fathers,' I hastened to read it. The book seems to me clever, interesting, very amusing, and likely to please generally. There is a merit in the choice of ground, which is not yet too hackneyed; the comparative freshness of subject, character, and epoch give the tale a certain attractiveness. There is also, I think, a graphic rendering of situations, and a lively talent for describing whatever is visible and tangible—what the eye meets on the surface of things. The humour appears to me such as would answer well on the stage; most of the scenes seem to demand dramatic accessories to give them their full effect. But I think one cannot with justice bestow higher praise than this. To speak candidly, I felt, in reading the tale, a wondrous hollowness in the moral and sentiment; a strange dilettante shallowness in the purpose and feeling. After all, 'Jack' is not much better than a 'Tony Lumpkin,' and there is no very great breadth of choice between the clown he IS and the fop his father would have made him. The grossly material life of the old English fox-hunter, and the frivolous existence of the fine gentleman present extremes, each in its way so repugnant, that one feels half inclined to smile when called upon to sentimentalise over the lot of a youth forced to pass from one to the other; torn from the stables, to be ushered perhaps into the ball-room. Jack dies mournfully indeed, and you are sorry for the poor fellow's untimely end; but you cannot forget that, if he had not been thrust into the way of Colonel Penruddock's weapon, he might possibly have broken his neck in a fox-hunt. The character of Sir Thomas Warren is excellent; consistent throughout. That of Mr. Addison not bad, but sketchy, a mere outline—wanting colour and finish. The man's portrait is there, and his costume, and fragmentary anecdotes of his life; but where is the man's nature—soul and self? I say nothing about the female characters—not one word; only that Lydia seems to me like a pretty little actress, prettily dressed gracefully appearing and disappearing, and reappearing in a genteel comedy, assuming the proper sentiments of her part with all due tact and naivete, and—that is all.
"Your description of the model man of business is true enough, I doubt not; but we will not fear that society will ever be brought quite to this standard; human nature (bad as it is) has, after all, elements that forbid it. But the very tendency to such a consummation—the marked tendency, I fear, of the day—produces, no doubt, cruel suffering. Yet, when the evil of competition passes a certain limit, must it not in time work its own cure? I suppose it will, but then through some convulsed crisis, shattering all around it like an earthquake. Meantime, for how many is life made a struggle; enjoyment and rest curtailed; labour terribly enhanced beyond almost what nature can bear I often think that this world would be the most terrible of enigmas, were it not for the firm belief that there is a world to come, where conscientious effort and patient pain will meet their reward.—Believe me, my dear Sir, sincerely yours,