"How is it that while the first-born of genius often brings honour, the second as almost often proves a source of depression and care? I could almost prophesy that your third will atone for any anxiety inflicted by this his immediate predecessor.
"There is power in that character of 'Balder,' and to me a certain horror. Did you mean it to embody, along with force, any of the special defects of the artistic character? It seems to me that those defects were never thrown out in stronger lines. I did not and could not think you meant to offer him as your cherished ideal of the true, great poet; I regarded him as a vividly-coloured picture of inflated self-esteem, almost frantic aspiration; of a nature that has made a Moloch of intellect—offered up; in pagan fires, the natural affections—sacrificed the heart to the brain. Do we not all know that true greatness is simple, self-oblivious, prone to unambitious, unselfish attachments? I am certain you feel this truth in your heart of hearts.
"But if the critics err now (as yet I have seen none of their lucubrations), you shall one day set them right in the second part of 'Balder.' You shall show them that you too know—better, perhaps, than they—that the truly great man is too sincere in his affections to grudge a sacrifice; too much absorbed in his work to talk loudly about it; too intent on finding the best way to accomplish what he undertakes to think great things of himself—the instrument. And if God places seeming impediments in his way—if his duties sometimes seem to hamper his powers—he feels keenly, perhaps writhes, under the slow torture of hindrance and delay; but if there be a true man's heart in his breast, he can bear, submit, wait patiently.
"Whoever speaks to me of 'Balder'—though I live too retired a life to come often in the way of comment—shall be answered according to your suggestion and my own impression. Equity demands that you should be your own interpreter. Good-bye for the present, and believe me,
"Faithfully and gratefully,
"CHARLOTTE BRONTË.
"Sydney Dobell, Esq."
A letter to her Brussels schoolfellow gives an idea of the external course of things during this winter.
"March 8th.
"I was very glad to see your handwriting again. It is, I believe, a year since I heard from you. Again and again you have recurred to my thoughts lately, and I was beginning to have some sad presages as to the cause of your silence. Your letter happily does away with all these; it brings, on the whole, glad tidings both of your papa, mama, your sisters, and, last but not least, your dear respected English self.