Training their flashlights forward, they started after the others: through a dark laundry, thronged with tubs and laced with clotheslines overhead; through the dark kitchen with its dimmed old pots and pans hanging from hooks and its big rusted range under an iron canopy. Portia noted the old-fashioned coffee grinder fastened to the wall, the name of the stove, which was "The Marchioness," a tattered calendar for the year 1905. Foster noted a small window into the pantry, just the right size for him to go in and out by quietly and conveniently. Then they pushed open the screechy swinging door and went into the dining room, moving through it rather quickly, for in the darkness it looked gloomy, furnished heavily as it was with carved oak and having walls that were cordially adorned with crossed swords, crossed halberds, crossed battle-axes, and crossed spears. Foster thought that he might enjoy these; but later. Not now.
They followed the sound of voices through the front hall, where on the newel post of the broad stairway a bronze lady four feet tall stood on one tiptoe foot, flourishing a gas lamp over her head. And then they turned left into the large, elaborate room that Mrs. Brace-Gideon had always called her "drawing room."
Everyone was there, twinkling about with flashlights.
Portia and Foster had only seen the room once before, and they had forgotten how big it was and how crowded with furniture. There was a huge piano, red and gold, with stout carved ladies holding up the keyboard. Near it stood a shrouded harp, and above that, hanging from the middle of the ceiling, was a great bag like a wasp's nest, and they knew there was a chandelier inside it.
"Paul, let's get some daylight in the place," Uncle Jake said. "Then we'll know what we've got here."
The men went out the way they had come, and presently, after a noise of wrenching and banging, one window opened its eye and the daylight came in; then another and another.
"Good heavens, look at the dust!" said Mrs. Blake.