"Not once," she corroborated. "Not fer a minute. You know whut the summers are—work, work from daylight to dark; an' in the winters I had t' hol' down the claim while Jim he went to the city an' worked. Sometimes he'd only git home once or twice the hull winter. Then when we begin to git on, seemed like 'twas harder than ever. Jim he kept addin' more land an' more stock to whut we had, an' there was more hands to be waited on, an' the babies come pretty fast. Lately Jim he's gone to Chicago every year to sell his cattle, but I ain't bin able to git away till now."

During her eager talk—a talk that gushed forth like a long-repressed stream finding a sudden outlet—she had been leaning toward me with her arm on the back of the bench and her shining eyes on mine. Now, as if remembering her "company manners," she sat back stiffly, folded her work-roughened hands primly in her lap, and sighed with supreme content.

"My!" she whispered, happily, "I feel like I was in a diff'rent world. It don't seem possible that only sixty miles out on the plains that ranch is right there, an' everything is goin' on without me. An' here I be, hearin' the music, an' all the folks singin' together, an' that wonderful woman talkin' like she did! I feel"—she hesitated for a comparison, and then went on, with the laugh of a happy girl—"I feel like I was up in a balloon an' on my way to heaven!"

I forgot the heat of the crowded hall, the smell of the smoking lamps, the shuffle of hobnailed shoes on the pine floors, the wails of fretful babies. I almost felt that I, too, was floating off with this ecstatic stranger in the balloon of her imagination.

"I see," I murmured. "You're tired of drudgery. You haven't played enough in all these years."

She swung round again until she faced me, her sallow cheeks flushed, her eager, brilliant eyes on mine.

"I ain't played none at all," she said. "I dunno what play is. An' work ain't the only thing I'm tired of. I'm tired of everything. I'm tired of everything—except this."

Her voice lingered on the last two words. Her eyes left my face for an instant and followed the lecturer, of whose white head we obtained a glimpse from time to time as the crowd opened around her. Still gazing toward her, but now as if unseeingly, the plainswoman went on, her voice dropping to a lower, more confidential note.

"I'm sick of everything," she repeated. "Most of all, I'm sick of the plains and the sky—stretching on and on and on and on, like they do, as if they was no end to 'em. Sometimes when I'm alone I stand at my door an' look at 'em an' shake my fists an' shriek. I begun to think they wasn't anything but them nowhere. It seemed 's if the little town back East where I come from was jest a place I dreamed of—it couldn't really be. Nothin' could be 'cept those plains an' the cattle an' the sky. Then, this spring—"

She turned again to face me.