But after the thirteenth century acanthus plants of vast proportions were no longer used to symbolize the gardens of Heaven. Heaven became a natural park-like place with fruit trees and flower-grown grass, except for its inhabitants, differing little from any princely garden. The plant was still used as the motive of much decoration, ecclesiastical and secular, but it was no longer seen in connection with devotional subjects as the representative plant of Heaven.
XIII
THE FLEUR-DE-LYS
Among the symbolical flowers of art, the golden fleurs-de-lys of France hold a high position. They were the arms of the King of France, ‘the eldest son of the Church’; they were borne by Saint Louis, the royal saint, and are typical of Christian royalty. Till the reign of Henry VIII they appeared upon the royal banner of England. Their origin, however, in spite of latter-day legends, was non-Christian, nor are they distinctively lilies. The learned M. de Beaumont, who has made a special study of the origins of the fleur-de-lys, or fleur-de-lis, as he prefers to spell it, has thus summed up his researches:
1. Armorial bearings did not commence in France till after the first Crusade.
2. It was in imitation of the Arabs and Persians that chivalry, tourneys and coats of arms were adopted in Europe and France.
3. This flower, which we name the fleur-de-lis, is the symbol of fecundity and royalty in ancient Egypt; it is also the sacred plant and tree of life, adopted with the same symbolical significance by the Assyrians and Persians, from whom it passed to Byzantium, to arrive at last in the Teutonic countries bordering on the East. It came at the same time to the Venetians, and the Lombards, the Spaniards and the French, and this significant form ornamented sceptres and crowns, the attributes of royalty.
4. When the laws of heraldry were at last established in France, after the Crusades, this symbol became the arms of the Kings of France, who entitled themselves rois par excellence. Later, the origin being forgotten and lost, the Celtic root of the word li was ignored by the heralds. They regarded this symbolical ornament as the lilium or garden lily, in itself a symbol of the Virgin, which for the most Christian Kings of France must have been a powerful motive for its adoption. Perhaps even a religious scruple may have been the cause of this transformation of the heathen into the Christian symbol. It was not till then that the heraldic writers, the greater part of whom belonged to the Church, forced themselves to recognize in the heraldic fleur-de-lys the form of the lilium, even though, in place of being or upon azur and having three petals, it ought in that case to have five petals and appear in argent.[172]
The monkish heralds found a very elaborate symbolism in the royal shield of France. The lilies were of gold, not silver, because in heraldry gold signifies the four kingly virtues, nobility, goodwill, charity and magnanimity.
They are three in number because this number is complete as is the Holy Trinity.... Also, the centre one signifies the Christian faith, that on the right the clergy, that on the left the army. There was no end to the hidden meanings.
‘Enfin,’ concludes Carlo Degrassalio of Carcassonne, ‘ces trois fleurs-de-lis d’or sont sur un écu d’azur, parceque, de même que Dieu, le roi des rois, la puissance des puissances, a en quelque sorte pour écu le bleu firmament, resplendissant d’astres d’or; de même le roi de France, fils aîné de l’Eglise, porte pour la plus grande gloire du Christ, l’écu le plus noble, écu sur lequel les lis d’or brillent comme les astres sur un ciel serein.’[173]