Gayety.—When a horse moves one ear back and forth, or keeps agitating first one and then the other, at the same time moving his head and neck up and down, and, perhaps, also champing upon his bit, he is feeling gay, and his rider must be on her guard, as he may unexpectedly jump. While keeping a steady hand upon the reins, she must urge him to move forward at a regular and somewhat rapid gait, for this will be what he wants in order to work off his superfluous spirits.
Kicking.—A horse, when defending himself against anything whatever, will always lay his ears flat upon the back of his head; this is his attitude and signal for a battle, and he is then ready to kick, bite, plunge, or rear. When the ears are only momentarily placed back, it may be from playfulness, but when maintained in this position, he is angry and vicious, and may make a desperate effort to throw his rider. In the company of other horses he will attempt to bite or kick at them. As soon as he is observed to gaze fixedly upon any animals in his vicinity, while at the same time he puts his ears back, and turns his croup toward his companions, he is then about to kick, and his rider must frustrate his intention, as soon as she feels his croup move, by quickly raising his head and turning it in the direction in which the kick was to be made. Should he attempt to bite, he must be driven to a proper distance from the object of his anger, and his attention be diverted by keeping him moving on.
A horse will kick when feeling gay, when he is annoyed, when he suffers pain from any cause, when feeling playful or malevolent toward other animals, and, sometimes, when he wishes to dislodge his rider. Whenever her horse manifests an inclination to kick, the rider must endeavor to keep his head up, because he will then be unable to accomplish much in the way of raising his hind-legs; but once allowed to get his head down, he will have everything his own way, and will be able to kick as high as he pleases.
Every time the horse attempts to lower his head, he must be punished by a pull upon the curb-bit strong enough to make him keep his head up. His mouth must also be sawed upon with the curb, should he succeed in getting his head down. The rider must remember to lean well back, and have her left knee well braced against the third pommel, as in this position it will be almost impossible for him to unseat her by his kicking. If the kick be made during a stand-still, a sharp, vigorous stroke of the whip upon the animal's shoulder will be apt to check him; but if the kick be made while he is on the gallop, a stroke of the whip will be apt to make him run away. Should kicking be an old vice of the horse, he must be ridden with a severe curb-bit, that he may be prevented from getting his head down.
Plunging, Bucking.—Plunging is a succession of bounds, in which the four legs of the horse are almost simultaneously raised from the ground, the animal advancing with each bound. It is frequently an effort made by the horse to rid himself of something that pains him, as the sting of an insect, the pinching of the saddle or the girth, etc. All that can be done in any case of plunging will be to endeavor to keep up the animal's head, brace one's self firmly in the saddle, and sit the plunges out; they will rarely amount to more than three or four. When a horse that is not vicious commences to plunge, it may be due to fear or pain; he should, therefore, be spoken to kindly, and be soothed. As soon as he is brought under control, the rider should endeavor to ascertain the cause of his movements, and, if possible, remove it.
Bucking is a desperate effort to throw the rider; the horse will gather his legs under him in as close a group as possible, curve his back upward like an angry Tabby when she espies Towser, lower his head, endeavor to burst the saddle-girths by forcibly expanding his abdomen, and then without making any advance or retreat bound up and down upon all four legs, which are held as rigid as iron rods. Sometimes he will produce a see-saw movement by repeatedly and rapidly throwing himself from his hind to his fore legs. These motions will be kept up as long as he can hold his breath, which generally becomes exhausted after five or six bounds; he will then renew his breath and may repeat the bounds.
When a horse "bucks," the rider must keep her seat the best way she can. Her body should be held as straight as possible, although the natural tendency will be to lean forward and to round the shoulders; she should also take a firm knee-grasp upon both the second and third pommels, keep a steady hold upon the reins, and be especially on her guard against allowing her body to be pulled forward as the horse jerks his head down. Fortunately, very few thorough-bred horses buck violently, their movement being more of a plunge. The horses of the Russian steppes, and the bronchos and ponies of our far Western country, are apt to have the vicious, genuine buck in perfection.
Rearing.—With the young horse, rearing is the last frantic effort to unseat his rider; an old rogue will sometimes resort to it, having found his rider timid and much alarmed at the movement. A lady should never ride a horse that has once reared dangerously, unless the action was occasioned by the injudicious use of too severe a curb-bit. A horse that has once reared without provocation will be very apt to do so again. The danger of this vice is, that the horse may fall backward and upon his rider. This accident will be especially liable to occur when, in rearing suddenly and very high, he bends his fore-legs under his body. While he is in this position, should the rider feel him sinking down upon his hind-quarters, she must instantly leap from the saddle, at the same time giving, if possible, a vigorous push to the horse with both hands, as near his shoulder as she can readily reach without endangering herself. This is done that he may be made to fall to the right, and the impetus of the push will also convey her to a safe distance, should he fall to the left.
When a horse, after rearing, paws in the air with his fore-feet, he is then employing them for the same purpose that a tight-rope dancer uses his balancing pole, namely, to keep his equilibrium. In this case, there will not be much danger of his falling backward, unless his rider should pull him over by holding too tight a rein, or by using the reins to aid her in keeping her balance.