Looking across the river to the great cliffs opposite the town, one discerns dimly, carved on the face of the rock, the wonder of the region, a colossal Buddha more than three hundred feet in height, sitting serenely with his hands on his knees, and his feet, or what ought to be his feet, laved by the rushing water of the Ta Fo Rapid. As the tale runs, this was the work of a good monk of the eighth century, who spent his life over the undertaking in the hope that by this pious act he might avert the terrible floods that devastated the region. A mighty task boldly conceived and patiently carried out, but still the rain pours down, and still the rivers rise and drown the land.

Baber tells the dramatic story of one of the greatest of the floods. It occurred in 1786 when the fall of a cliff in the Ta Tu dammed the river completely for a time. Warnings were sent to the villages along the banks, and many fled to the hills, but the people of Chia-ting, trusting to their open plain over which the water could spread itself, scouted the warning, and the cry, "Shui lai-la" ("The water is coming"), became the catchword of the hour. Let Baber tell the rest:—

"It was holiday in Chia-ting some days after the receipt of the notice, and the light hearted crowds which gathered on such occasions were chiefly attracted by a theatrical representation on the flat by the water-side. One of the actors suddenly stopped in the middle of his rôle, and gazing up the river, screamed out the now familiar by-word, 'Shui lai-la!' This repetition of the stock jest, with well-simulated terror, as it seemed to the merry-makers, drew shouts of laughter; but the echoes of the laugh were drowned in the roar of a deluge. I was told how the gleeful faces turned to horror as the flood swept on like a moving wall, and overwhelmed twelve thousand souls."

While in Chia-ting I crossed the river one day to see the great Buddha from near by, but it is very difficult to get a good view of the image. The river runs at the foot of the cliff at such a rate that it was all the boatmen could do to keep us off the rocks, and looking down from above, the overhanging shrubs and grasses almost hide it from sight. There is an interesting monastery on the summit of the hill, called the "Monastery of the Voice of the Waters." Here I spent a delightful hour wandering through the neglected garden and looking over the treasures of the place, a rather remarkable collection of drawings and inscriptions engraved on slate, the work of distinguished visitors of past times, some dating back even to the Sung period. There were landscapes extremely well done, others were merely a flower or branch of a blooming shrub, but all bore some classic quotation in ornamental Chinese character. I bought of the priest for a dollar a bundle of really fine rubbings of these engravings. At another monastery a gallery full of images of the "Lo-han," the worthiest of Buddha's disciples, was being tidied up. The variety of pose and expression in these fifty-odd life-size images was extraordinary, and some of them were wonderfully good, but the workmen handled them without respect as they cleaned and painted. It is a Chinese proverb that says, "The image-maker does not worship the gods; he knows what they are made of."

There is one drawback to the delights of Chia-ting, and that is the climate. To live and work in the damp heat that prevails much of the time must test the strength, and I imagine the Europeans stationed here find it so. Chia-ting boasts two strong Protestant missions, American Baptist and Canadian Methodist, well equipped with schools and a hospital, and they are hard at work making Chia-ting over, body and soul. At the time of my visit they were engaged in a strenuous contest with the representatives of the British American Tobacco Company, and both sides were placarding the town with posters setting forth the evils or the benefits of cigarette-smoking.

Chia-ting is the great point of departure for Mount Omei, thirty miles away, and I stayed only long enough to rearrange my kit and hire coolies for the trip. Again I had a chance to see the strength that the Chinese have through organization. Each quarter of Chia-ting has its coolie hong, and woe betide you if you fall out with your own; you will have difficulty in getting served elsewhere. Fortunately my host was on good terms with his proper hong, and after a good-humored, long-drawn-out discussion I secured the men I wanted.

It was raining when we started from Chia-ting and it kept on all day. Nevertheless, as soon as I was outside the West Gate of the city I exchanged my closed chair for one specially devised for the mountain climb, simply a bamboo chair furnished with a swinging board for a foot-rest. It gave of course no protection against sun or rain, but there was nothing to cut off the view. The closed chair affected by the Chinese seemed to me intolerable, a stuffy box half closed in front, and with mere loopholes on the sides. But fifteen years ago no European woman could ride in anything else without danger of being mobbed.

All the first day we were crossing the beautiful Chia-ting plain, seamed and watered by many rivers and streams. The path wound in and out among splendid fields of maize and fine fruit orchards, and the comfortable looking villages were densely shaded with oak and mulberry trees. It ought to be a prosperous district, for not only is it rich in natural resources, but the throngs of pilgrims that pass through here on their way to the Sacred Mountain must bring a lot of money into the towns.

At the start we kept above the Ta Tu, but later we crossed the Ya, now a strong-flowing tranquil river, and farther along still at the little town of Süchi ("Joyous Stream"), famous for its silk, we came to the Omei, which has its sources on the lower slopes of the Great Mountain. After this the country was more broken, but everywhere there was the same careful cultivation, and on all sides we heard the plash of falling water and the soft whirr of the great Persian wheels busily at work bringing water to the thirsty land; and occasionally we saw men working with the foot a smaller wheel by which the next higher levels were irrigated.

Chen Chia Ch'ang, a small market-town a few miles east of Omei-hsien, made a charming picture, its walls shining white against the dark background of the mountain as we approached it across the green rice-fields. Entering its broad, crowded street we found a theatrical performance going on in an open hall opposite the temple. While my coolies were drinking tea I joined the crowd in front of the stage, which was raised several feet above the street. The play, which was in honour of the village idol, was beyond my comprehension, but the pantomime of the actors was very good. This sort of thing is dearly liked by the Chinese. The players are usually maintained by the village, and a good deal of the unpopularity of the Christian converts arises, I am told, from their unwillingness to contribute because of the so-called idolatrous character of the performance.