“Americy, have you got a soul, a spirit?” Theodosia asked. “Did you inherit one? Did you?”
“I saw the glory o’ the Lord one time,” Americy said, half singing. “I saw the Lamb o’ God. Oh, my Jesus!”
Theodosia arose quickly from her chair and stood by the door, her hand having flung open the door. “Stig, have you got a soul? Inside you somewhere? Inside?” She knew that she was persisting cruelly. She leaned over him where he sat by the frame of the door.
“I got a hungry belly insides me. I got a tape-snake wants a ham bone to gnaw,” Stig said. “I mean what I say.”
She was leaning over him, looking at him intently, seeing his large heavy face from above and watching its changing shadows, looking at his dirty brown coat and his frayed breeches that bulged into the light where his knees were raised. He seemed to be chewing at something, his lips working in and out. Her eyes centered to his hands that drifted about over his thighs and cupped together beyond his knees.
“Hold out your hands, Stig,” she said, “hold out your hand. Your hand.”
His hand, broad in the palm, flexible, sensitive to the boards of the floor, was stretched, palm downward, beyond his foot, or it crept over the floor; it turned upward and moved back and forth before her. The long reach of the thumb and the span of the thumb and the fingers assailed her, and the hand fiddled a moment on the air. Then it crumpled together, bones and muscles flexed, and withdrew to the shadow under his knee. “The fiddle hand,” she said, standing straight beside the door now. “You got the fiddle hand, Stig,” she whispered. “You got it.”
“I got a hungry belly insides me, that’s what I got. I already told you-all now. I got a hungry gut.”
She ran out the door, making a clatter on the steps, flinging the gate back after her. The lights were lit along the streets and lanes now and people were stirring about. The town seemed of one essence, every detail flattened to the mass, and she walked as if she walked alone, arrogant, stepping upon the closely conglomerated matter of voices, stones, shadows, faces, acquaintance, history. Singularly marked, standing above the stones on which she stepped, above the earth on which she walked, she came down the street and entered her gate, detached from her own entrance, standing above the click of the latch, above the segments of light that lay as broken rectangles on the gallery floor.
Anthony had passed into a delusion, imagining he was in some other place; he talked of a sea which he thought could be seen from the window and he would ask the state of the tide. He called Theodosia by a strange name, Amelia, one she had never heard in the family before.