One spring, not long ago, a friend of mine, knowing that I had a desire to spend the summer in the "real country," said to me, "Why don't you go to a farm somewhere in New England? Nothing could be more 'really countrified' than that! You would get what you want there."
Her advice rather appealed to my fancy. I at once set about looking for a New England farmhouse in which I might be received as a "summer boarder." Hearing of one that was situated in a particularly healthful and beautiful section of New England, I wrote to the woman who owned and operated it, telling her what I required, and asking her whether or no she could provide me with it. "Above all things," I concluded my letter, "I want quiet."
Her somewhat lengthy reply ended with these words: "The bedroom just over the music-room is the quietest in the house, because no one is in the music-room excepting for a social hour after supper. I can let you have that bedroom."
My friend had said that nothing was so "really countrified" as a New England farm. But a "music-room," a "social hour after supper!" The terms suggested things distinctly urban.
I sent another letter to the woman to whom this amazing farmhouse belonged. "I am afraid I cannot come," I wrote. "I want a simpler place." Then, yielding to my intense curiosity, I added: "Are many of your boarders musical? Is the music-room for their use?"
"No place could be simpler than this," she answered, by return mail. "I don't know whether any of my boarders this year will be musical or not. Some years they have been. The music-room isn't for my boarders, especially; it is for my niece. She is very musical, but she doesn't get much time for practising in the summer."
She went on to say that she hoped I would decide to take the bedroom over the music-room. I did. I had told her that, above all things, I desired quiet; but, after reading her letters, I think I wished, above all things, to see the music-room, and the niece who was musical.
"She will probably be a shy, awkward girl," one of my city neighbors said to me; "and no doubt she will play 'The Maiden's Prayer' on a melodeon which will occupy one corner of the back sitting-room. You will see."
In order to reach the farm it was necessary not only to take a journey on a train, but also to drive three miles over a hilly road. The little station at which I changed from the train to an open two-seated carriage in waiting for me was the usual rural village, with its one main street, its commingled post-office and dry-goods and grocery store, and its small white meeting-house.
The farm, as we approached it, called to mind the pictures of old New England farms with which all of us are familiar. The house itself was over a hundred years old, I afterward learned; and had for that length of time "been in the family" of the woman with whom I had corresponded.