To understand the way in which she gave fresh life, and gradually refashioned the methods she found, it is necessary to go back to the prehistoric days before her arrival in 1858. There is little record of the educational system and teaching of that period, but it is certain that both were liberal and thorough, free from narrowness and petty tyranny, in advance of those existing in the ordinary boarding-school of the day. The curriculum, it is noteworthy, was arranged with a view to developing the mind and character. Latin was taught at first ‘very thoroughly,’ and the change by which after the first year it was replaced by German, which the Lady Principal could teach, was a question of economy, not of conciliation of parents who might think dead languages useless subjects of study. In making the substitution it was hoped, so runs the report of 1856, that instruction in German ‘might be made equally instrumental with that in the Latin language for conveying an accurate, exact, and logical knowledge of the principles of general Grammar. In this impression (your Council) find ... that they have not been mistaken.’
This attitude with regard to German was no new idea to Miss Beale, and she pursued the aims of the founders when she made the language a necessary subject of study for all pupils above the lower classes. Latin she discouraged, except in the case of those who were near the top of the College, maintaining that girls of seventeen and eighteen could learn in a few months as much Latin as would absorb the greater part of a boy’s whole time at school.
On the question of music the founders had shown themselves out of sympathy with the fashionable practice of a day when every ‘young lady’ was expected to perform on the piano, every governess to teach it. They conceded so far as to include music in the regular curriculum, but the expense of providing the requisite number of teachers and pianos for so many pupils was heavy. To meet this a system of class instruction was devised, by which the teacher gave a lesson to four pupils at once, the same piece being performed simultaneously on the treble and bass of two pianos. Whether such an arrangement was conducive to the production of good music or the formation of taste may be doubted. It suggests, indeed, a certain irony in those who hit upon a scheme that might just satisfy a foolish popular demand, assured that any who really cared for music would not grudge payment to the good teachers provided for the extra classes. The music difficulty occupies some space in the early reports which, in somewhat stilted and solemn fashion, set forth new ideals for the education of the ‘fairer sex.’ The following is quoted from the report of February 1856:—
‘Your Council cannot refrain from stating their belief that as long as the singular and extraordinary notion continues to prevail in the minds of those forming the upper classes of English Society, that dexterity of fingering on a single instrument is the most important part of female education, against, it might have been thought, not only the suggestions of common sense, but the practical lessons of later life, so long will the time required to be given for attaining even a low amount of proficiency in this sleight of hand, most seriously interfere with progress in all education and mental cultivation worthy of the name.
‘How far the acknowledged deficiency of many of the fairer sex in logical qualities and reasoning powers is due to this strange delusion, it is not for your Council to discuss; but they are not without hopes that the time may not be far distant when they will be supported in an arrangement which will place instrumental music altogether among the extra subjects, and leave them and the teachers free to elevate and improve, morally and intellectually, the condition of the female mind, unembarrassed by so unessential an accomplishment.’
These remarks were followed in 1857 by others:—
‘Your Council have nothing to add to or retract from what was said upon this subject in that Report: but, while they believe that the instruction in this so-called accomplishment is as efficient within these walls as it is capable, under all circumstances, of being made, they must repeat their regret that so vast a portion of valuable time should be sacrificed, in the earlier years of almost every Englishwoman who hopes to become a wife and mother, to that which is confessedly of no value in an intellectual point of view; and can, by no possibility, be of service to her in either of these two most important, and generally much coveted capacities.’
The College had opened with a goodly array of teachers of ‘accomplishments,’ as it was hoped thus to attract bye-students. These were gradually dismissed, and it cannot have added to the reputation of the school that some of the best-known masters, such as M. Théodore Colson, were considered too expensive. When the new Principal came there were only two teachers of music, one of whom was Mrs. Lloyd, mother of the great singer. Of this lady’s skill and loyalty Miss Beale always spoke with affectionate remembrance. The Lady Principal gained her support in a reform instituted very early in her reign, when separate piano lessons were again introduced, and the class system, disliked by Miss Beale on other than musical grounds, was swept away. She could not permit an arrangement which withdrew four pupils at once from the ordinary work of the school; through which important lessons were lost, and ‘collisions between class and music teachers made frequent.’ That the Council allowed such a change to be made is a testimony to their confidence in the new Principal. The immediate result was disastrous to the funds, and continued to be so until Mr. Brancker introduced his new financial scheme in 1860.
The founders of the College were not men to be content with knowledge obtained from epitomes; Miss Procter, also, was earnest and devoted in her work, and took trouble to teach by means of lectures; but only dictated notes were given, and these were not corrected. Her lessons were evidently interesting:—