Many other nights besides there have been—long series of American nights—John Van Dyke nights I might say, Timothy Cole nights,—but no, I am not going to name names and make a catalogue, I am not going to write their story, I am not going to run the risks of the folly I have protested against. I have confessed my safe belief that of the living only good should be spoken, and good only when it is within the bounds of discretion. It is not my ambition to rival at home the unpopularity of N.P. Willis in England after the first of his indiscretions, which seem discretion itself now in the light of to-day's yellow and society journalism.
And there have been English nights—many—nights with old friends who are faithful and new friends who are devoted—nights of late so like the old Thursday nights that both Hartrick and Sullivan, now twenty years older and with no Phil May to revolve round, asked why those old memorable gay nights could not be revived? But would they be gay? Would they not turn out the dust and ashes, the worse than Lenten fare, from which I shrink? Would they not, as I have said, prove as mournful as that banquet of Zola's Conquerors of Paris?
Recently there have been Belgian nights—nights with those Belgian artists whose habit was never to travel at all until they started on their journey as exiles to London—a journey to which the end in a return journey seems to them so tediously long in coming. And there have been War nights when the clash of our battle, in the grim consciousness of that other battle not so far away, is less cheerful. And there have been nights with the great search-lights over the Thames that tell us as much as those young insistent voices in Buckingham Street could tell, but only of things so tragic and so sombre that I am the more eager to finish the story of our London nights with our Thursdays, in the years when we were burdened by no more serious fighting than the endless fight of friend with friend, of fellow worker with fellow worker, fought in the good cause of work and play, faith and doubt, fear and hope—a stirring fight, but one in which words are the weapons, one which can never be won or lost, since no two can ever be found to agree when they talk for pleasure, nor any one man forced to agree with himself for all time.