I had gone no further than this first, tremulous ardent stage in my career when my Uncle deserted his memorable rooms never to return, and J. and I started on the journey that we thought might last a year—as long as the money held out, we had said, to the discomfort of the family who no doubt saw me promptly on their hands again—and that did not bring me back to Philadelphia for over a quarter of a century. Of literary events during my absence, somebody else must make the record.
"THE LITTLE STREET OF CLUBS," CAMAC STREET ABOVE SPRUCE STREET
When I did go back after all those years, I was conscious that there must have been events for a record to be made of, or I could not have accounted for the change. Literature was now in the air. Local prophets were acknowledged, if not by all Philadelphia, by little groups of satellites revolving round them. Literary lights had come from under the bushel and were shining in high places. Societies had been industriously multiplying for the encouragement of literature. All such encouragement in my time had devolved upon the Penn Club that patronized literature, among its other interests, and wrote about books in its monthly journal and invited their authors to its meetings. During my absence, not only had the Penn Club continued to flourish—to such good purpose that J. and I were honoured by one of these invitations and felt that never again could Fame and Fate bring us such a triumphant moment, except when the Academy of Fine Arts paid us the same honour and so upset our old belief that no Philadelphian could ever be a prophet in Philadelphia!—but Philadelphia had broken out into a multitude of Clubs and Societies, beginning with the Franklin Inn, for Franklin is not to be got away from even in Clubland, and his Inn, I am assured, is the most comprehensive literary centre to which every author, every artist, every editor, every publisher who thinks himself something belongs to the number of one hundred—that there should be the chance of one hundred with the right to think themselves something in Philadelphia is the wonder!—and in the house in Camac Street, which one Philadelphian I know calls "The Little Street of Clubs," the members meet for light lunch and much talk and, it may be, other rites of which I could speak only from hearsay, my sex disqualifying me from getting my knowledge of them at first hand. And there is a Business and Professional Club and a Poor Richard, bringing one back to Franklin again, in the same Little Street. And there are Browning Societies, and Shakespeare Societies, and Drama-Reforming Societies, and Pegasus Societies, and Societies for members to read their own works to each other; and more Societies than the parent Society discoursing in the woods along the Schuylkill could have dreamed of: with the Contemporary Club to assemble their variously divided ends and objects under one head, and to entertain literature as George W. Childs had entertained it, and, going further, to pay literature for being entertained, if literature expresses itself in the form of readings and lectures by those who practise it professionally. The change disconcerted me more than ever when I, Philadelphia born, was assured of a profitable welcome if I would speak to the Club on anything. The invitation was tentative and unofficial, but the Contemporary Club need be in no fear. It may make the invitation official if it will, and never a penny the poorer will it be for my presence: I am that now rare creature, a shy woman subject to stage fright. And I cannot help thinking that, despite the amiability to the native, the stranger, simply because he is a stranger, continues to have the preference, so many are the Englishmen and Englishwomen invited to deliver themselves before the Club who never could gather an audience at home.
DOWN SANSOM STREET FROM EIGHTH STREET
THE LOW HOUSES AT SEVENTH STREET HAVE SINCE BEEN TORN DOWN AND THE WESTERN END OF THE CURTIS BUILDING NOW OCCUPIES THEIR PLACE
And Philadelphia has recaptured the lead in the periodical publication that pays, and I found the Curtis Building the biggest sky-scraper in Philadelphia, towering above the quiet of Independence Square, a brick and marble and pseudo-classical monument to the Ladies' Home Journal and the Saturday Evening Post, and if in the race literature lags behind, what matter when merit is vouched for in solid dollars and cents? What matter, when the winds of heaven conspire with bricks and mortar to make the passer-by respect it? I am told that on a windy day no man can pass the building without a fight for it, and no woman without the help of stalwart policemen. In her own organ of fashion and feminine sentiment, she has raised up a power against which, even with the vote to back her, she could not prevail.
And Philadelphia is not content to have produced the first daily newspaper but is bent on making it as big as it can be made anywhere. If I preserved my morning paper for two or three days in my hotel bedroom, I fairly waded in newspapers. On Sundays if I carried upstairs only the Ledger and the North American, I was deep in a flood of Comic Supplements, and Photograph Supplements, and Sport Supplements, and every possible sort of Supplement that any other American newspaper in any other American town can boast of—all the sad stuff that nobody has time to look at but is what the newspaper editor is under the delusion that the public wants—in Philadelphia, one genuine Philadelphia touch added in the letters and gossip of "Peggy Shippen" and "Sally Wister," names with the double recommendation to Philadelphia of venerable age and unquestionable Philadelphia respectability.
And I found that the Philadelphia writer has increased in numbers and in popularity, whether for better or worse I will not say. I have not the courage for the rôle of critic on my own hearth, knowing the penalty for too much honesty at home. Nor is there any reason why I should hesitate and bungle and make myself unpleasant enemies in doing indifferently what Philadelphia, in its new incarnation, does with so much grace. I have now but to name the Philadelphian's book in Philadelphia to be informed that it is monumental—but to mention the Philadelphia writer of verse to hear that he is a marvel—but to enquire for the Philadelphia writer of prose to be assured that he is a genius. There is not the weeest, most modest little Philadelphia goose that does not sail along valiantly in the Philadelphia procession of swans. The new pose is prettier than the old if scarcely more successful in preserving a sense of proportion, and it saves me from committing myself. I can state the facts that strike me, without prejudice, as the lawyers say.