So much of Philadelphia is in Miss Leslie that her silence on one or two matters essentially Philadelphian is the greater disappointment.
I have said that when I was young it was the business of the man of the house to market and to make the Mayonnaise for the dinner's salad, and I have searched for the reason in vain. His appropriation of the marketing seems to be comparatively modern. If the chronicles are to be trusted, it was the woman's business as late as Mrs. Washington's day. But by mine, the man's going to market had settled solidly into one of those Philadelphia customs taken for granted by Philadelphians simply because they were Philadelphia customs. Never in print have I seen any reference to this division of family labour except in the Philadelphia stories of Thomas A. Janvier who, as a Philadelphian, knew that it became well brought up Philadelphia men to attend to the marketing and that duties becoming to them were above explanation. Janvier knew also that only in Philadelphia, probably, could it occur to the "master of a feast" to dress the salad, and that this was the reason "why a better salad is served at certain dinner tables in Philadelphia than at any other dinner tables in the whole world." Miss Leslie is not without honour in her own town and was there reverenced by no one as truly as by Janvier, but his reverence for the Art of Cookery was more profound and he shared the belief of the initiated that in it man surpasses as hitherto, I regret to say, he has surpassed in all the arts.
Janvier himself was the last "master of the feast" it was my good fortune to watch preparing the Mayonnaise. It was a solemn rite in his hands, and the result not unworthy—his salads were delicious, perfect, original, their originality, however, never pushed to open defiance of the Philadelphia precedents he respected. One of my pleasantest memories of him is of his salad-making at his own dinner table in his London rooms, one or two friends informally gathered about him, and the summer evening so warm that he appeared all in white—a splendid presence, for he was an unusually handsome man, of the rich, flamboyant type that has gone out of fashion almost everywhere except in the South of France. The white added, somehow, to the effect of ceremony, and he lingered over every stage of the preparation and the mixing,—the Philadelphia touch of mustard not omitted,—with due gravity and care. How different the salad created with this ceremony from the usual makeshift mixed nobody knows how or where!
THE BASIN, OLD WATER-WORKS
That the Philadelphia man should have accepted this responsibility, explains better than I could how high is the Philadelphia standard. I could not understand Miss Leslie's silence on the subject, did I not suspect her of a disapproval as complete as her Cookery. She had no new-fangled notions on the position of woman, no desire to dispute man's long-established superiority. If she was willing to teach women how to become accomplished housewives, it was that they might administer to the comfort and satisfy the appetite of their fathers and brothers and husbands and sons. The end of woman, according to her creed, is to make the home agreeable for man, and it would save us many of to-day's troubles if we agreed with her. No man, since it is to his advantage, will blame her for being more orthodox as a woman than as a Philadelphian, nor is it at very great cost that I forgive her. I prize her book too much from the collector's standpoint, if from no other, to resent its sentiment. And my joy in my copy—in my Fifty-eighth Edition—is none the less because it was presented to me by Janvier who, in a few short stories, gave the spirit of the Philadelphia feast as Miss Leslie, in two substantial volumes, collected and classified its materials.
Another thing I do not find in Miss Leslie is the Oyster Croquette, which she could not have ignored had she once eaten it. Therefore I am led to see in it the product of a generation nearer my own. In my memories of childhood it is inseparable from my Grandmother's eight o'clock tea on evenings when the family were invited in state—in my memories of youth inseparable from every afternoon or evening party at which I feasted fearlessly and well—and it figured at many a Sunday high-tea, that exquisite feast which, by its very name, refuses to let itself be confounded with its coarser counterpart known to the English as a meat-tea. From these facts I conclude, though I have no other data to rely upon, that the Oyster Croquette must have been not simply the masterpiece, but the creation of Augustine, for the Oyster Croquette which the well-brought-up Philadelphian then ate at moments of rejoicing was always of his cooking.
II
Augustine—the explanation is superfluous for Philadelphians of my age—was a coloured man with the genius of his race for cookery and probably a drop or more of the white blood that developed in him also the genius for organization, so that he was a leader among caterers, as well as a master among cooks. It is worth noting that the demand for cooks in Philadelphia being great, the greatest cooks in America never failed to supply it: worth noting also that the Philadelphia housewife, being thus well supplied, had not begun when I was young to amuse herself with the chafing-dish as she does now. For many years, Augustine's name and creations were the chief distinction of every Philadelphia feast. To have entertained without his assistance would have been as serious a crime as to have omitted Terrapin—in season—and Ice-cream from the Philadelphia menu; as daring as to have gone for chocolates anywhere save to Pénas' or for smilax anywhere save to Pennock's, and this sort of daring in Philadelphia would have been deplored not as harmless originality, but as eccentricity in the worst possible taste. Thanks to Augustine, Philadelphia became celebrated in America for its Oyster Croquettes and Terrapin and Broiled Oysters—what a work of genius this, with the sauce of his invention!—as Bresse is in France for its Chickens, or York in England for its Hams.
So much I know about him, and no more—but his name should go down in history with those of Vatel and Carême and Gouffé: an artist if ever there was one! Because he did not commit suicide like Vatel—his oysters were never late—because he did not write encyclopedias of cookery like Carême and Gouffé, his name and fame are in danger of perishing unless every Philadelphian among my contemporaries hastens to lay a laurel leaf upon his grave. I fear nothing as yet has been done to preserve his memory. His name survives on the simple front of a South Fifteenth Street house, where I saw it and rejoiced when I was last at home and, in compliment to him, went inside and ate my lunch in the demure light of a highly respectable dining-room in the society of a dozen or more highly respectable Philadelphians seated at little tables. I could not quarrel with my lunch—it was admirably cooked and served—but it was an everyday lunch, not the occasional feast—the Augustine of old did not cook the ordinary meal and the Fifteenth Street house is too modest to be accepted as the one and only monument to his memory.