"ELEVENTH AND SPRUCE"
For years my Grandfather's house was the scene of the occasional visit. He lived in Spruce Street above Eleventh—the typical Philadelphia Street, straight and narrow, on either side rows of red brick houses, each with white marble steps, white shutters below and green shutters above, and along the red brick pavement rows of trees which made Philadelphia the green country town of Penn's desire, but the Philadelphian's life a burden in the springtime before the coming of the sparrows. Philadelphia, as I think of it in the old days at the season when the leaves were growing green, is always heavy with the odour of the evil-smelling ailantus and full of measuring worms falling upon me from every tree. My fear of "Crazy Norah" is hardly less clear in my early memories than the terror these worms were to the dear fragile little Aunt who had cared for me in my first motherless years, and who still, during my holidays, kept a watchful eye on me to see that I put my "gums" on if I went out in the rain and that I had the money in my pocket to stop at Dexter's for a plate of ice-cream. I can recall as if it were yesterday, her shrieks one Easter Sunday when she came home from church and found a green horror on her new spring bonnet and another on her petticoat, and her miserable certainty all through the early Sunday dinner that many more were crawling over her somewhere. But, indeed, the Philadelphians of to-day can never know from what loathsome creatures the sparrows have delivered them.
My Grandfather's house was as typical as the street—one of the quite modest four-story brick houses that were thought unseemly sky-scrapers and fire-traps when they were first built in Philadelphia. I can never go by the old house of many memories—for sale, alas! the last time I passed and still for sale according to the last news to reach me even as I correct my proofs—without seeing myself as I used to be, arriving from the Convent, small, plain, unbecomingly dressed and conscious of it, with my pretty, always-becomingly-dressed because nothing was unbecoming to her, not-in-the-least-shy Sister, both standing in the vestibule between the inevitable Philadelphia two front doors, the outer one as inevitably open all day long. And I see myself, when, in answer to our ring, the servant had opened the inner one as well, entering in a fresh access of shyness the wide lofty hall, with the front and back parlours to the right; Philadelphians had no drawing-rooms then but were content with parlours, as Penn had been who knew them by no other name. Compared to the rich Philadelphian's house to-day, my Grandfather's looks very unpretending, but when houses like it, with two big parlours separated by folding doors, first became the fashion in Philadelphia, they passed for palaces with Philadelphians who disapproved of display, and the "tradesmen" living soberly in them were rebuked for aspiring to the luxury of princes. I cannot imagine why, for the old Colonial houses are, many of them, as lofty and more spacious, though it was the simple spaciousness of my Grandfather's and the loftiness of its ceilings that gave it charm.
DRAWING ROOM AT CLIVEDEN
My Grandfather's two parlours, big as they were, would strike nobody to-day as palatial. It needs the glamour time throws over them for me to discover princely luxury in the rosewood and reps masterpieces of a deplorable period with which they were furnished, or in their decoration of beaded cushions and worsted-work mats and tidies, the lavish gifts of a devoted family. But I cannot remember the parlours and forget the respect with which they once inspired me. I own to a lingering affection for their crowning touch of ugliness, an ottoman with a top of the fashionable Berlin work of the day—a white arum lily, done by the superior talent of the fancy store, on a red ground filled in by the industrious giver. It stood between the two front windows, so that we might have the additional rapture of seeing it a second time in the mirror which hung behind it. Opposite, between the two windows of the back parlour, was a "Rogers Group" on a blue stand; and a replica, with variations, of both the ottoman and the "Rogers Group" could have been found in every other Philadelphia front and back parlour. I recall also the three or four family portraits which I held in tremendous awe, however I may feel about them now; and the immensely high vases, unique creations that could not possibly have been designed for any purpose save to ornament the Philadelphia mantelpiece; and the transparent lamp-shade, decorated with pictures of cats and children and landscapes, that at night, when the gas was lit, helped to keep me awake until I could escape to bed; and the lustre chandeliers hanging from the ceiling—what joy when one of the long prisms came loose and I could capture it and, looking through it, walk across the parlours and up the stairs straight into the splendid dangers of Rainbow Land!
I had no time for these splendours on my arrival, nor, fortunately for me, was I left long to the tortures of my shyness. At the end of the hall, facing me, was the wide flight of stairs leading to the upper stories, and on the first landing, at their turning just where a few more steps led beyond into the back-building dining-room, my Grandmother, in her white cap and purple ribbons, stood waiting. In my memory she and that landing are inseparable. Whenever the door bell rang, she was out there at the first sound, ready to say "Come right up, my dear!" to whichever one of her innumerable progeny it might he. To her right, filling an ample space in the windings of the back stairs, was the inexhaustible pantry which I knew, as well as she, we should presently visit together. Though there could not have been in Philadelphia or anywhere quite such another Grandmother, even if most Philadelphians feel precisely the same way about theirs, she was typical too, like the house and the street. She belonged to the generation of Philadelphia women who took to old age almost as soon as they were mothers, put on caps and large easy shoes, invented an elderly dress from which they never deviated for the rest of their lives, except to exchange cashmere for silk, the everyday cap for one of fine lace and wider ribbons, on occasions of ceremony, and who as promptly forgot the world outside of their household and their family. I do not believe my Grandmother had an interest in anybody except her children, or in anything except their affairs; though this did not mean that she gave up society when it was to their advantage that she should not. In her stiff silks and costly caps, she presided at every dinner, reception, and party given at home, as conscientiously as, in her sables and demure velvet bonnet, she made and returned calls in the season.
My other memories are of comfortable, spacious rooms, good, solid, old-fashioned furniture, a few more old and some better-forgotten new family portraits on the walls, the engraving of Gilbert Stuart's Washington over the dining-room mantelpiece, the sofa or couch in almost every room for the Philadelphia nap before dinner, the two cheerful kitchens where, if the servants were amiable, I sometimes played, and, above all, the most enchanting back-yard that ever was or could be—we were not so elegant in those days as to call it a garden.
IV
Since it has been the fashion to revive everything old in Philadelphia, most Philadelphians are not happy until they have their garden, as their forefathers had, and very charming they often make it in the suburbs. But in town my admiration has been asked for gardens that would have been lost in my Grandfather's back-yard, and for a few meagre plants springing up about a cold paved square that would have been condemned as weeds in his luxuriant flower beds.