A DISH OF SUNSHINE
"The weather is regarded as the very nadir and scoff of conversational topics." How can the ingenious housewife talk of aught else in the Winter season? Not because, as Mr Stevenson argues, "the dramatic element in scenery is far more tractable in language, and far more human both in import and suggestion, than the stable features of the landscape," but because upon it she is dependent for ease and success in making her every luncheon and dinner a culinary triumph.
Of what avail the morning's conference with the greengrocer's boy, or even the conscientious visit to the greengrocer's shop or the ramble through the market—unless, perhaps, and happily, her pockets be lined with gold, when hothouse vegetables, and out-of-season delicacies, must be paid for with the alacrity of a Crœsus? Otherwise, dark, hopeless despair seizes upon her? Must she not brood in abject melancholy when the hideous truth is revealed to her that earth's resources are limited to turnip-tops and Brussels sprouts, with, it may be, a few Jerusalem artichokes thrown in? Celery, the lordly, is frozen. Cauliflower, the fragrant, frost-bitten irretrievably, will not yield to the most urgent inducements of hot water. Lettuce is a thing of the past and of the future. Sad and drear indeed is the immediate prospect. For surely turnip-tops are a delusion, and against the monotony of sprouts the aspiring soul rebels.
It is at this crisis that hope flames right in a strangely neglected corner. Italian sunshine and blue skies, concentrated in flour paste, wrought into tubes and ribbons, squares and lozenges, come to gladden the sinking heart and cheer the drooping spirits. Why despair when macaroni is always to be had, inestimable as a vegetable, unrivalled as an entrée, a perfect meal, if you choose, in itself?
Upon the imagination of those to whom food is something besides a mere satisfaction to carnal appetite, macaroni works a strange, subtle spell. The very name conjures up sweet poetic visions; it is the magic crystal or beryl stone, in which may be seen known things, dear to the memory: smiling valleys where the vines are festooned, not as Virgil saw them, from elm to elm, but from mulberry to mulberry; and where the beautiful, broad-horned, white oxen drag, in solemn dignity, the crawling plough; olive-clad slopes and lonely stone palms; the gleam of sunlit rivers winding with the reeds and the tall, slim poplars; the friendly wayside trattoria and the pleasant refrain of the beaming cameriere, "Subito Signora; ecco!"—a refrain ceaseless as the buzzing of bees among the clover. In a dish of macaroni lies all Italy for the woman with eyes to see or a heart to feel.
Or visions more personal, more intimate, she may summon for her own delight; the midday halt and lunch in Castiglione del Lago on its gentle hill-top, the blue of Thrasymene's lake shining between the olives, and all fair to behold, save the padrone with his conscienceless charges for the bowl of macaroni that had been so good in the eating. Or else, perhaps, the evening meal in the long refectory at Monte Oliveto, with the white-robed brothers; or, again, the unforgettable breakfast at Pompeii's Albergo del Sole, the good wine ranged upon the old tree trunk that serves as central column, the peacock, tail outspread, strutting about among the chairs and tables, the overpowering sweetness of the flowering bean stealing, from near fields, through open doors and windows. Or, still again, the thought of Pompeii sends one off upon the journey from its ruined streets to Naples—on one side the Bay, on the other the uninterrupted line of villages, every low white house adorned with garlands of macaroni drying peacefully and swiftly in the hot sun. And a few pence only will it cost to dream such dreams of beauty and of gladness.
Many as are the devices for preparing this stuff that dreams are made of, none can excel the simplest of all. Eat it the way the Italian loves it, and for yourself you open up new vistas of pleasure. And what could be easier? In water well salted—upon the salt much depends—the macaroni, preferably in the large generous tubes, is boiled for twenty minutes, or half an hour, until it is as soft as soft may be without breaking. A capacious bowl, its sides well buttered and sprinkled with grated Parmesan cheese, must wait in readiness. Into it put the macaroni, well drained of the water, into its midst drop a large piece of sweet, fresh butter, and sprinkle, without stint, more of the indispensable Parmesan; mix wisely and with discrimination; and then eat to your soul's, or stomach's, content. To further your joy, have at your side a flash of Chianti, pure and strong, standing in no need of baptism. The gods never fared better. But, one word of advice: if this dish you serve for luncheon, defy convention, and make it the first and last and only course. It may seem meagre in the telling. But to treat it with due respect and justice much must be eaten, and this much makes more impossible even to the hopeful.
Another word of advice: never break or cut the macaroni into small pieces; the cook who dares to disobey in this particular deserves instant and peremptory dismissal. Where is the poetry, where the art, if it can be eaten with as little trouble and planning as an everyday potato, or a mess of greens? Who, that has seen, can forget the skilful Italian winding the long steaming tubes around and around his fork, his whole soul and intelligence concentrated upon the pretty feat of transposing these tubes from his fork to his mouth. It is difficult; yes, especially for the foreigner; but where is the pleasure without pain? As well tear your Troyon or your Diaz into shreds, and enjoy it in bits, as violate the virginal lengths of your macaroni.