A STUDY IN GREEN AND RED
You may search from end to end of the vast Louvre; you may wander from room to room in England's National Gallery; you may travel to the Pitti, to the Ryks Museum, to the Prado; and no richer, more stirring arrangement of colour will you find than in that corner of your kitchen garden where June's strawberries grow ripe. From under the green of broad leaves the red fruit looks out and up to the sun in splendour unsurpassed by paint upon canvas. And the country, with lavish prodigality born of great plenty, takes pity upon the drear, drab town, and, packing this glory of colour in baskets and crates, despatches it to adorn greengrocer's window and costermonger's cart. "Strawberries all ripe, sixpence a pound," is the itinerant sign which now sends a thrill through Fleet Street and brings joy to the Strand.
To modern weakling the strawberry is strong with the strength of classical approval. The Greek loved it; the Latin vied with him in the ardour of his affection. Poets sang its wonders and immortalised its charms. Its perfume was sweet in the nostrils of Virgil; its flavour enraptured the palate of Ovid; and at banquets under the shadow of the Acropolis and on sunny Pincian Hill, the strawberry, cultivated and wild, held place of honour among the dear fruits of the earth.
Nor did it disappear before the barbarian's inroads. Europe might be laid waste; beauty and learning and art might be aliens in the land that was once their home; human enjoyment might centre upon a millennium to come rather than upon delights already warm within men's grasp. But still the strawberry survived. Life grew ugly and rue and barren. But from under broad leaves the little red fruit still looked out and up to the sun; and, by loveliness of colour and form, of flavour and scent, proved one of the chief factors in reclaiming man from barbarism, in leading him gently along the high road to civilisation and the joy of life.
Respect for its exquisite perfection was ever deep and heartfelt. Gooseberries might be turned to wine and figure as fools; raspberries and currants might be imprisoned within stodgy puddings. But the strawberry, giver of health, creator of pleasure, seldom was submitted to desecration by fire. As it ripened, thus was it eaten: cool, scarlet, and adorable. At times when, according to the shifting of the seasons, its presence no longer made glad the hearts of its lovers, desire invented a substitute. As the deserted swain takes what cold comfort he can from the portrait of his mistress, so the faithful stayed themselves with the strawberry's counterfeit. And thus was it made: "Take the paste of Massepain, and roul it in your hands in form of a Strawberry, then wet it in the juice of Barberries or red Gooseberries, turn them about in this juice pretty hard, then take them out and put them into a dish and dry them before a fire, then wet them again for three or four times together in the same juice, and they will seem like perfect Strawberries." Master Cook Giles Rose is the authority, and none knew better.
If, in moment of folly, in an effort to escape monotony, however sweet, the strawberry was robbed of its freshness, it was that it might be enclosed in a tart. Then—how account for man's inconsistency?—it was so disguised, so modified by this, that, or the other companion in misery, that it seemed less a strawberry than ever Master Rose's ingenious counterfeit. And, in witness thereof, read Robert May, the Accomplished Cook, his recipe: "Wash the strawberries and put them into the tart; season them with cinnamon, ginger, and a little red wine, then put on the sugar, bake it half an hour, ice it, scrape on sugar, and serve it." A pretty mess, in truth, and yet, for sentiment's sake, worth repetition in this degenerate latter day. Queen Anne preserved the tradition of her Stuart forefathers, and in "The Queen's Royal Cooker," a little book graced by the Royal portrait, Robert May's tart reappears, cinnamon, ginger, and all. So it was handed down from generation to generation, cropping up here and there with mild persistency, and now at last, after long career of unpopularity, receiving distinction anew.
One tart in a season, as tribute to the past, will suffice. It were a shame to defile the delicate fruit in more unstinted quantities. Reserve it rather for dessert, that in fragile porcelain dish or frail glass bowl it may lose nothing of the fragrance and crispness and glow of colour that distinguished it as it lay upon the brown earth under cool green shelter. To let it retain unto the very last its little green stem is to lend to dinner or breakfast table the same stirring, splendid harmony that lit up, as with a flame, the kitchen garden's memorable corner. But if with cream the fruit is to be eaten, then comfort and elegance insist upon green stem's removal before ever the bowl be filled or the dish receive its dainty burden.
At early "little breakfast" of coffee and rolls, or tea and toast, as you will, what more delicious, what fresher beginning to the day's heat and struggles, then the plate of strawberries newly picked from their bed? Banish cream and sugar from this initiative meal. At the dawn of daily duty and pleasure, food should be light and airy and unsubstantial. Then the stem, clinging fast to the fruit's luscious flesh, is surely in place. Half the delight is in plucking the berry from the plate as if from the bush.