"Oh, you may trust him right enough," De Poincy answered. "And as to his face—look at that jaw of his."

"Anything the matter with his jaw?"

"There's 'man' enough in that to relieve your mind. Oh, he's a stubborn brute, Gano is; but you can trust him." And people did trust him.

But not only did he tire presently of the gay and flaunting aspect of social life, his fastidiousness by-and-by turned aside as well from those less presentable experiences that dog the rich and idle youth of capitals.

At first with a dull old tutor, and presently without him, he had for headquarters a tiny appartement in Paris. It was there, or with the De Poincys in Nice, that he felt most at home. Something over two years had gone by in this agreeable fashion when his grandfather addressed to him a temperate but very serious letter inviting him to return, either to complete his interrupted studies "on American lines," or to enter at once on his initiation into the practical duties of editorship. Ethan at first temporized, and then, being pressed, declined to pursue either course. He "liked living abroad." This fact, thus stated, greatly irritated old Tallmadge. He ordered his grandson home. Ethan wrote, still very politely, but quite definitely, refusing to come just then. Mr. Tallmadge, angrier than ever, cabled, "Is it on account of health? Are you afraid of climate?" Ethan cabled back: "Perfectly well. Prefer Paris."

This lack of patriotism on the part of a grandson of his seemed to Aaron Tallmadge nothing short of revolutionary. It was no use Ethan's quoting to him, Tout homme a deux pays, le sien et puis la France. The more Mr. Tallmadge pondered the matter, the more he felt convinced that this incredible preference for Paris was the shameful mask of some other preference. "Some woman's got hold of him again," he decided. "I'll soon settle that." Whereupon he wired: "Come right home, or I stop allowance."

Then was his grandson most unreasonably angry. He sent back, in a blank sheet of writing-paper, the recently received check for the next quarter, which he had neglected to cash, and he looked about for employment. Henri de Poincy, who had recently passed into the diplomatic service, was now in Russia; but young Gano started out on his quest of a living with no foreboding. He went to see various men of affairs, firm friends of his, he felt convinced, and stated the case; in fact, a cooler head than Ethan's might have suspected he overstated it. It was true he had received a "final" letter, which he thought most insulting, full of a crudely expressed conviction that Ethan was in the toils of some foreign woman, and saying that unless he returned instantly his grandfather would know this suspicion was well founded, in which case the young man had nothing to expect from him in the future.

Those persons of influence whom young Gano had consulted in his dilemma all promised to keep him in mind and see what they could do, and most of them thereafter forgot even to invite him to dinner. He began to realize that being a young American of leisure, with no axe to grind, with an absurdly large income for a man of his years, and known to be sole heir to one of the big fortunes "in the States," was an altogether different matter from being a person suddenly bereft of these advantages. He gave up his charming appartement in the Champs-Elysées, and presently found that he couldn't keep even the single room he had taken in the Rue de Miroménil. He moved to the Rue de Provence.

He was in low water—very low water, indeed—before he got the post of Parisian correspondent on a London paper. With this diminutive buoy he managed to keep afloat; but his former position as an independent young gentleman with large expectations was blown upon, and no one more hypersensitive than he to the outward and visible signs of people's appreciation of his altered circumstances. He withdrew more and more from the swim. Smart Parisian society and the rich American colony knew him no more. After a while his English editor complained that his news was becoming too exclusively "literary and artistic; we expected something about the races last week. Give us more society."

To this the Parisian correspondent replied: "I never yet wrote about society unless indirectly, and I do not propose to begin."