I laughed, and drew my chair close to his. Nor shall I ever forget the tiny loaves, white and brown, nor the tiny pat of butter, nor the thin, transparent biscuits, crisp as hoar-frost, and delicate as if made of Israelitish manna. Davy ate not much himself, but he seemed delighted to see me eat, nor would he allow me to talk.
"One never should," said he, "while eating."
Frugal as he was, he never for an instant lost his cheery smile and companionable manner, and I observed he watched me very closely. As soon as I had gathered up and put away my last crumb, I slipped out of my chair, and pretended to pull him from his seat.
"Ah! you are right, we have much to do."
He went out again, and returned laden with a wooden tray, on which he piled all the things and carried them downstairs. Returning, he laughed and said,—
"I must be a little put out to-night, as I have a visitor, so I shall not clear up until I have taken you home."
"My mother is going to send for me, sir; but I wish I might help you now."
"I shall not need help,—I want it at least in another way. Will you now come here?"
We removed to the piano. He took down from the shelves that overshadowed it three or four volumes in succession. At length, selecting one, he laid it upon the desk and opened it. I gazed in admiration. It was a splendid edition, in score, of Pergolesi's "Stabat Mater." He gathered from within its pages a separate sheet—the alto part, beautifully copied—and handed it to me, saying, "I know you will take care of it." So I did. We worked very hard, but I think I never enjoyed any exercise so much. He premised, with a cunning smile, that he should not let me run on at that rate if I had not to be brushed up all in a hurry; but then, though I was ignorant, I was apt and very ardent. I sang with an entire attention to his hints; and though I felt I was hurrying on too fast for my "understanding" to keep pace with my "spirit," yet I did get on very rapidly in the mere accession to acquaintance with the part. We literally rushed through the "Stabat Mater," which was for the first part of the first grand morning, and then, for the other, we began the "Dettingen Te Deum." I thought this very easy after the "Stabat Mater," but Davy silenced me by suggesting, "You do not know the difficulty until you are placed in the choir." Our evening's practice lasted about two hours and a half. He stroked my hair gently then, and said he feared he had fatigued me. I answered by thanking him with all my might, and begging to go on. He shook his head.
"I am afraid we have done too much now. This day week the 'Creation,'—that is for the second morning; and then, Charles, then the 'Messiah,'—last and best."