Thine, Seraphael.
He had made every arrangement for my visit, and I never think of his kindness in these particulars without being reminded that in proportion to the power of his genius was it ever beneficently gentle. I spent such an afternoon as would have been cheaply purchased by a whole life of solitude; but I must only advert to one circumstance that distinguished it.
We were walking upon the lovely terrace amongst bright marbles just arranged, and dazzling flowers; he was gentle, genial, animated,—I felt my time was come. I therefore taught myself to say: "Sir, I have a very, most particular favor to ask of you; it is that you will condescend to give me your opinion of a piece of music which some one has written. I have brought it with me on purpose,—may I fetch it? It is in my hat in the house."
"By all means, this very moment, Carlomein,—or, no, rather we will go in-doors together and examine it quietly. It is thine own, of course?"
"Oh, no, sir! I should have said so directly. It is a young lady's, and she knows nothing of my bringing it. I stole it from her."
"Ah! true," he replied, simply; and led me to that beautiful music-room. I was fain to realize Maria's dream as I beheld those radiant organ-pipes beneath their glorious arch, that deep-wooded pianoforte, with its keys, milk-white and satin-soft, recalling me but to that which was lovelier than her very vision,—the lustrous presence pervading that luxury of artistic life. Seraphael was more innocent, more brilliant in behavior at his home than anywhere; the noble spaces and exquisitely appointed rooms seemed to affect him merely as secluded warmth affects an exotic flower; he expanded more fully, fragrantly, in the rich repose.
At the cedar writing-table he paused, and stood waiting silently while I fetched the score. As I unfolded it before him I was even more astonished than ever at the perfection of its appearance; I hesitated not the least to place it in those most delicate of all delicate hands. I saw his eyes, that seemed to have drawn into them the very violet of the Italian heaven, so dark they gleamed through the down-let lashes, fasten themselves eagerly for an instant upon the title-sheet, where, after his own fashion, Maria had written her ancient name, "Cerinthia," only, in the corner; but then he laid the score, having opened the first page, upon the table, and knelt down before it, plunging his fingers into the splendid curls of his regal head, his very brow being buried in their shadow as he bent, bowed, leaned into the page, and page after page until the end.
With restless rapidity his hand flashed back the leaves, his eye drank the spirit of those signs; but he spoke not, stirred not. It seemed to me that I must not watch him, as I was doing most decidedly, and I disentangled myself from that revery with a shock.
I walked to the carved music-stands, the painted music-cases. I examined the costly manuscripts and olden tomes arrayed on polished cabinets. I blinded myself with the sunshine streaming through stained compartments in the windows to the carnation-toned velvet of the furniture. I peered into the pianoforte, and yearned for it to awaken; and rested long and rapturously before a mighty marble likeness of the self-crowned Beethoven. It was garlanded with grapes and vine-leaves that fondled the wild locks in gracefullest fraternity; it was mounted upon a pedestal of granite, where also the alabaster fruits and tendrils clustered, clasping it like frozen summer, and beneath the bust the own investment glittered,—"Tonkunst's Bacchus."[6] It was no longer difficult to pass away the time without being troublesome to myself or Seraphael. I was lost in a triumphant reminiscence that the stormy brow, the eyes of lightning, the torn heart, the weary soul, were now heaven's light, heaven's love, its calm, its gladness. For quite an hour I stood there, so remembering and desiring ever to remember. And then that sweet, that living voice aroused me. Without looking up, he said,—
"Do you mean to say, Carlomein, that she has had no help here?"