And here, my boy, you lie, so safe, so still"—
But there she hushed; and in the dim,
Cool morning, timid as a bride, but calm
As a glad mother, gathered him
Unto her heart. And all the people then,
Women and men, and children too,
Crept back, and back, and back, and on,
Still as the morning shadows do.
And left them in the lifting dawn—they two,
On her sad breast, his shining head
Stirred softly, as were he the living one,
And she had been the moveless dead.
And yet we crept on, back, and back, and on.
The distance widened like the sky,
Between our little restlessness,
And Love so godlike that it could not die.
II.
VITTORIA.
Wise was the word the wise man spake, who said,
"Angelo was the only man to whom God gave
Four souls,"—the soul of sculpture and of song,
Of architecture and of art; these all.
For so God loved him, as if he were
His only child, and grouped about those brows
Ideals of Himself—not angels mild
As those that flit and beckon other lives,
But cherubim and seraphim; tall, strong,
Unsleeping, terrible; with wings across
Their mighty feet; and eyes—if we would look
Upon their blazing eyes, these too are hid—
Some angels are all wings! Oh, shine and fly!
Were ye not angels, ye would strike us blind.
And yet they did not, could not dazzle her—
That one sweet woman unto whom he bent
As pliant as the quarried marble turned
To life immortal in his own great hand.
Steadfast, Vittoria looked on Angelo.
She lifted lonely eyes. The years trod slow.
Fourfold the reverence which he gave to her,
Fourfold the awful tenderness, fourfold
The loyalty, the trust. And oh, fourfold
The comfort, beyond all power of comforting,
Whereby a lesser man may heal the hurt
Of widowhood!
Pescara had one soul—
A little one; and it was stained. And he—
It too, perhaps (God knows!)—was dead.
The dead are God's.