The maple is full of pictures of Roy. Roy not yet over the dignity of his first boots, aiming for the cross-barred branch, coming to the ground with a terrible wrench on his ankle, straight up again before anybody could stop him, and sitting there on the ugly, swaying bough as white as a sheet, to wave his cap,—“There, I meant to do it, and I have!” Roy, chopping off the twigs for kindling-wood in his mud oven, and sending his hatchet right through the parlor window. Roy cutting leaves for me, and then pulling all my wreaths down over my nose every time I put them on! Roy making me jump half-way across the room with a sudden thump on my window, and, looking out, I would see him with his hat off and hair blown from his forehead, framed in by the scented blossoms, or the quivering green, or the flame of blood-red leaves. But there is no end to them if I begin.
I had planned, if he came this week, to strip the richest branches, and fill his room.
May 6.
The May-day stillness, the lazy winds, the sweetness in the air, are all gone. A miserable northeasterly storm has set in. The garden loam is a mass of mud; the golden grass is drenched; the poor little cricket is drowned in a mud-puddle; the bluebirds are huddled among the leaves, with their heads under their drabbled wings, and the maple blossoms, dull and shrunken, drip against the glass.
It begins to be evident that it will never do for me to live alone. Yet who is there in the wide world that I could bear to bring here—into Roy’s place?
A little old-fashioned book, bound in green and gold, attracted my attention this morning while I was dusting the library. It proved to be my mother’s copy of “Elia,”—one that father had given her, I saw by the fly-leaf, in their early engagement days. It is some time since I have read Charles Lamb; indeed, since the middle of February I have read nothing of any sort. Phœbe dries the Journal for me every night, and sometimes I glance at the Telegraphic Summary, and sometimes I don’t.
“You used to be fond enough of books,” Mrs. Bland says, looking puzzled,—“regular blue-stocking, Mr. Bland called you (no personal objection to you, of course, my dear, but he doesn’t like literary women, which is a great comfort to me). Why don’t you read and divert yourself now?”
But my brain, like the rest of me, seems to be crushed. I could not follow three pages of history with attention. Shakespeare, Wordsworth, Whittier, Mrs. Browning, are filled with Roy’s marks,—and so down the shelf. Besides, poetry strikes as nothing else does, deep into the roots of things. One finds everywhere some strain at the fibres of one’s heart. A mind must be healthily reconciled to actual life, before a poet—at least most poets—can help it. We must learn to bear and to work, before we can spare strength to dream.
To hymns and hymn-like poems, exception should be made. Some of them are like soft hands stealing into ours in the dark, and holding us fast without a spoken word. I do not know how many times Whittier’s “Psalm,” and that old cry of Cowper’s, “God moves in a mysterious way,” have quieted me,—just the sound of the words; when I was too wild to take in their meaning, and too wicked to believe them if I had.
As to novels, (by the way, Meta Tripp sent me over four yesterday afternoon, among which notice “Aurora Floyd” and “Uncle Silas,”) the author of “Rutledge” expresses my feeling about them precisely. I do not remember her exact words, but they are not unlike these. “She had far outlived the passion of ordinary novels; and the few which struck the depths of her experience gave her more pain than pleasure.”