Your own Chris.
At Frau Berg's, August 4th, 1914, very late.
Precious mother,
I'm coming back to you. Don't be unhappy about me. Don't think I'm coming back mangled, a bleeding thing, because you see, I still have Bernd. I still believe in him—oh, with my whole being. And as long as I do that how can I be anything but happy? It's strange how, now that the catastrophe has come, I'm quite calm, sitting here at Frau Berg's in my old room in the middle of the night writing to you. I think it's because the whole thing is so great that I'm like this, like somebody who has had a mortal blow, and because it's mortal doesn't feel. But this isn't mortal. I've got Bernd and you,—only now I must have great patience. Till I see him again. Till war is over and he comes for me, and I shall be with him always.
I'm coming to you, dear mother. It's finished here. I'm going to describe it all quite calmly to you. I'm not going to be unworthy of Bernd, I won't have less of dignity and patience than he has. If you'd seen him tonight saying good-bye to me, and stopped by the Colonel! His look as he obeyed—I shan't forget it. When next I'm weak and base I shall remember it, and it will save me.
At dinner there were only the Grafin and Helena and me, and they didn't speak a word, not only not to me but not to each other, and in the middle a servant brought in a note for the Grafin from the Graf, he said, and when she had looked at it she got up and went out. We finished our dinner in dead silence, and I was going up to my room when the Grafin's maid came after me and said would I go to her mistress. She was alone in the drawingroom, sitting at her writing table, though she wasn't writing, and when I came in she said, without turning round, that she must ask me to leave her house at once, that very evening. She said that apart from her private feelings, which were all in favour of my going—she would be quite frank, she said—there were serious political reasons why I shouldn't stay even as long as till tomorrow. The Graf's career, his position in the ministry, their social position, Majestat,—I really don't remember all she said, and it matters so little, so little. I listened, trying to understand, trying to give all my attention to it and disentangle it, while my heart was thumping so because of Bernd. For I was being turned out in disgrace, and I am his betrothed, and so I am his honour, and whatever of shame there is for me there is of shame for him.
The Grafin got more and more unsteady in her voice as she went on. She was trying hard to keep calm, but she was evidently feeling so acutely, so violently, that it was distressing to, have to watch her. I was so sorry. I wanted to put my arms round her and tell her not to mind so much, that of course I'd go, but if only she wouldn't mind so much whatever it was. Then at last she began to lose her hold on herself, and got up and walked about the room saying things about England. So then I knew. And I knew the answer to everything that has been perplexing me. They'd been afraid of it the last two days, and now they knew it. England isn't going to fold her arms and look on. Oh, how I loved England then! Standing in that Berlin drawingroom in the heart of the Junker-military-official set, all by myself in what I think and feel,—how I loved her! My heart was thumping five minutes before for fear of shame, now it thumped so that I couldn't have said anything if I'd wanted to for gladness and pride. I was a bit of England. I think to know how much one loves England one has to be in Germany. I forgot Bernd for a moment, my heart was so full of that other love, that proud love for one's country when it takes its stand on the side of righteousness. And presently the Grafin said it all, tumbled it all out,—that England was going to declare war, and under circumstances so shameful, so full of the well-known revolting hypocrisy, that it made an honest German sick. "Belgium!" she cried, "What is Belgium? An excuse, a pretence, one more of the sickening, whining phrases with which you conceal your gluttonous opportunism—" And so she continued, while I stood silent.
Oh well, all that doesn't matter now,—I'm in a hurry, I want to get this letter off to you tonight. Luckily there's a letter-box a few yards away, so I won't have to face much of those awful streets that are yelling now for England's blood.
I went up and got my things together. I knew Bernd would get the letter I posted to him this morning telling him I was going to Frau Berg's tomorrow, so I felt safe about seeing him, even if he didn't come in to the Koseritzes before I left. But he did come in. He came just as I was going downstairs carrying my violin-case—how foolish and outside of life that music business seems now—and he seized my hand and took me into the drawingroom.
"Not in here, not in here!" cried the Grafin, getting up excitedly. "Not again, not ever again does an Englishwoman come into my drawingroom—"