“It’ll be all right,” he said, scribbling a receipt for the rent. “Do sit down, won’t you? Nasty day, isn’t it? You’ll find the old castle has lots of sunshine, whatever else it hasn’t got. Husband going?”
Mrs. Arbuthnot, unused to anything but candour, looked troubled at this question and began to murmur inarticulately, and the owner at once concluded that she was a widow—a war one, of course, for other widows were old—and that he had been a fool not to guess it.
“Oh, I’m sorry,” he said, turning red right up to his fair hair. “I didn’t mean—h’m, h’m, h’m—”
He ran his eye over the receipt he had written. “Yes, I think that’s all right,” he said, getting up and giving it to her. “Now,” he added, taking the six notes she held out and smiling, for Mrs. Arbuthnot was agreeable to look at, “I’m richer, and you’re happier. I’ve got money, and you’ve got San Salvatore. I wonder which is best.”
“I think you know,” said Mrs. Arbuthnot with her sweet smile.
He laughed and opened the door for her. It was a pity the interview was over. He would have liked to ask her to lunch with him. She made him think of his mother, of his nurse, of all things kind and comforting, besides having the attraction of not being his mother or his nurse.
“I hope you’ll like the old place,” he said, holding her hand a minute at the door. The very feel of her hand, even through its glove, was reassuring; it was the sort of hand, he thought, that children would like to hold in the dark. “In April, you know, it’s simply a mass of flowers. And then there’s the sea. You must wear white. You’ll fit in very well. There are several portraits of you there.”
“Portraits?”
“Madonnas, you know. There’s one on the stairs really exactly like you.”
Mrs. Arbuthnot smiled and said good-bye and thanked him. Without the least trouble and at once she had got him placed in his proper category: he was an artist and of an effervescent temperament.