“Now you’ll take my advice,” said Mrs. Fisher, touched, “and not neglect what may very well turn into an illness. We are in Italy, you know, and one has to be careful. You ought, to begin with, to go to bed.”

“I never go to bed,” snapped Scrap; and it sounded as moving, as forlorn, as that line spoken years and years ago by an actress playing the part of Poor Jo in dramatised version of Bleak House—“I’m always moving on,” said Poor Jo in this play, urged to do so by a policeman; and Mrs. Fisher, then a girl, had laid her head on the red velvet parapet of the front row of the dress circle and wept aloud.

It was wonderful, Scrap’s voice. It had given her, in the ten years since she came out, all the triumphs that intelligence and wit can have, because it made whatever she said seem memorable. She ought, with a throat formation like that, to have been a singer, but in every kind of music Scrap was dumb except this one music of the speaking voice; and what a fascination, what a spell lay in that. Such was the loveliness of her face and the beauty of her colouring that there was not a man into whose eyes at the sight of her there did not leap a flame of intensest interest; but, when he heard her voice, the flame in that man’s eyes was caught and fixed. It was the same with every man, educated and uneducated, old, young, desirable themselves or undesirable, men of her own world and bus-conductors, generals and Tommies—during the war she had had a perplexing time—bishops equally with vergers—round about her confirmation startling occurrences had taken place—wholesome and unwholesome, rich and penniless, brilliant or idiotic; and it made no difference at all what they were, or how long and securely married: into the eyes of every one of them, when they saw her, leapt this flame, and when they heard her it stayed there.

Scrap had had enough of this look. It only led to difficulties. At first it had delighted her. She had been excited, triumphant. To be apparently incapable of doing or saying the wrong thing, to be applauded, listened to, petted, adored wherever she went, and when she came home to find nothing there either but the most indulgent proud fondness—why, how extremely pleasant. And so easy, too. No preparation necessary for this achievement, no hard work, nothing to learn. She need take no trouble. She had only to appear, and presently say something.

But gradually experiences gathered round her. After all, she had to take trouble, she had to make efforts, because, she discovered with astonishment and rage, she had to defend herself. That look, that leaping look, meant that she was going to be grabbed at. Some of those who had it were more humble than others, especially if they were young, but they all, according to their several ability, grabbed; and she who had entered the world so jauntily, with her head in the air and the completest confidence in anybody whose hair was grey, began to distrust, and then to dislike, and soon to shrink away from, and presently to be indignant. Sometimes it was just as if she didn’t belong to herself, wasn’t her own at all, but was regarded as a universal thing, a sort of beauty-of-all-work. Really men . . . And she found herself involved in , vague quarrels, being curiously hated. Really women . . . And when the war came, and she flung herself into it along with everybody else, it finished her. Really generals . . .

The war finished Scrap. It killed the one man she felt safe with, whom she would have married, and it finally disgusted her with love. Since then she had been embittered. She was struggling as angrily in the sweet stuff of life as a wasp got caught in honey. Just as desperately did she try to unstick her wings. It gave her no pleasure to outdo other women; she didn’t want their tiresome men. What could one do with men when one had got them? None of them would talk to her of anything but the things of love, and how foolish and fatiguing that became after a bit. It was as though a healthy person with a normal hunger was given nothing whatever to eat but sugar. Love, love . . . the very word made her want to slap somebody. “Why should I love you? Why should I?” she would ask amazed sometimes when somebody was trying—somebody was always trying—to propose to her. But she never got a real answer, only further incoherence.

A deep cynicism took hold of the unhappy Scrap. Her inside grew hoary with disillusionment, while her gracious and charming outside continued to make the world more beautiful. What had the future in it for her? She would not be able, after such a preparation, to take hold of it. She was fit for nothing; she had wasted all this time being beautiful. Presently she wouldn’t be beautiful, and what then? Scrap didn’t know what then, it appalled her to wonder even. Tired as she was of being conspicuous she was at least used to that, she had never known anything else; and to become inconspicuous, to fade, to grow shabby and dim, would probably be most painful. And once she began, what years and years of it there would be! Imagine, thought Scrap, having most of one’s life at the wrong end. Imagine being old for two or three times as long as being young. Stupid, stupid. Everything was stupid. There wasn’t a thing she wanted to do. There were thousands of things she didn’t want to do. Avoidance, silence, invisibility, if possible unconsciousness—these negations were all she asked for at the moment; and here, even here, she was not allowed a minute’s peace, and this absurd woman must come pretending, merely because she wanted to exercise power and make her go to bed and make her—hideous—drink castor oil, that she thought she was ill.

“I’m sure,” said Mrs. Fisher, who felt the cold of the stone beginning to come through and knew she could not sit much longer, “you’ll do what is reasonable. Your mother would wish—have you a mother?”

A faint wonder came into Scrap’s eyes. Have you a mother? If ever anybody had a mother it was Scrap. It had not occurred to her that there could be people who had never heard of her mother. She was one of the major marchionesses—there being, as no one knew better than Scrap, marchionesses and marchionesses—and had held high positions at Court. Her father, too, in his day had been most prominent. His day was a little over, poor dear, because in the war he had made some important mistakes, and besides he was now grown old; still, there he was, an excessively well-known person. How restful, how extraordinarily restful to have found some one who had never heard of any of her lot, or at least had not yet connected her with them.

She began to like Mrs. Fisher. Perhaps the originals didn’t know anything about her either. When she first wrote to them and signed her name, that great name of Dester which twisted in and out of English history like a bloody thread, for its bearers constantly killed, she had taken it for granted that they would know who she was; and at the interview in Shaftesbury Avenue she was sure they did know, because they hadn’t asked, as they otherwise would have, for references.