However, whatever she felt about his legs she welcomed him with the utmost cordiality, mindful of his kindness to them down in Cornwall and of how she had clung to him there as her rock; and she soon got to remember the way he liked his tea, and had the biggest chair placed comfortably ready for him—the chairs were neither very big nor numerous in her spare little drawing-room—and did all she could in the way of hospitality and pleasant conversation. But the more she saw of him, and the more she heard of his talk, the more she wondered at Jim.

Mr. Wemyss was most good-natured, and she was sure, and as she knew from experience, was most kind and thoughtful; but the things he said were so very unlike the things Jim said, and his way of looking at things was so very unlike Jim's way. Not that there wasn't room in the world for everybody, Miss Entwhistle reminded herself, sitting at her tea-table observing Wemyss, who looked particularly big and prosperous in her small frugal room, and no doubt one star differed from another in glory; still, she did wonder at Jim. And if Mr. Wemyss could bear the loss of his wife to the extent of grey trousers, how was it he couldn't bear Jim's name so much as mentioned? Whenever the talk got on to Jim—it couldn't be kept off him in a circle composed of his daughter and his sister and his friend—she noticed that Mr. Wemyss went silent. She would have taken this for excess of sensibility and the sign of a deep capacity for faithful devotion if it hadn't been for those trousers. Faced by them, it perplexed her.

While Miss Entwhistle was thinking like this and observing Wemyss, who never observed her at all after a first moment of surprise that she should look and behave so differently from the liquid lady of the cottage in Cornwall, that she should sit so straight and move so briskly, he and Lucy were, though present in the body, absent in love. Round them was drawn that magic circle through which nobody and nothing can penetrate, and within it they sat hand in hand and safe. Lucy's whole heart was his. He only had to come into the room for her to feel content. There was a naturalness, a bigness about his way of looking at things that made intricate, tormenting feelings shrink away in his presence ashamed. Quite apart from her love for him, her gratitude, her longing that he should go on now being happy and forget his awful tragedy, he was so very comfortable. She had never met any one so comfortable to lean on mentally. Bodily, on the few occasions on which her aunt was out of the room, he was comfortable too; he reminded her of the very nicest of sofas,—expensive ones, all cushions. But mentally he was more than comfortable, he was positively luxurious. Such perfect rest, listening to his talk. No thinking needed. Things according to him were either so, or so. With her father things had never been either so, or so; and one had had to frown, and concentrate, and make efforts to follow and understand his distinctions, his infinitely numerous, delicate, difficult distinctions. Everard's plain division of everything into two categories only, snow-white and jet-black, was as reposeful as the Roman church. She hadn't got to strain or worry, she had only to surrender. And to what love, to what safety! At night she couldn't go to bed for thinking of how happy she was. She would sit quite still in the little dressing-room, her hands in her lap, and a proverb she had read somewhere running in her head:

When God shuts the door He opens the window.

Not for a moment, hardly, had she been left alone to suffer. Instantly, almost, Everard had come into her life and saved her. Lucy had indeed, as her aunt had twice suspected, got religion, but her religion was Wemyss. Ah, how she loved him! And every night she slept with his last letter under her pillow on the side of her heart.

As for Wemyss, if Lucy couldn't get over having got him he couldn't get over having got Lucy. He hadn't had such happiness as this, of this quality of tenderness, of goodness, in his life before. What he had felt for Vera had not at any time, he was sure, even at the beginning, been like this. While for the last few years—oh, well. Wemyss, when he found himself thinking of Vera, pulled up short. He declined to think of her now. She had filled his thoughts enough lately, and how terribly. His little angel Lucy had healed that wound, and there was no use in thinking of an old wound; nobody healthy ever did that. He had explained to Lucy, who at first had been a little morbid, how wrong it is, how really wicked, besides being intensely stupid, not to get over things. Life, he had said, is for the living; let the dead have death. The present is the only real possession a man has, whatever clever people may say; and the wise man, who is also the natural man of simple healthy instincts and a proper natural shrinking from death and disease, does not allow the past, which after all anyhow is done for, to intrude upon, much less spoil, the present. That is what, he explained, the past will always do if it can. The only safe way to deal with it is to forget it.

'But I don't want to forget mine,' Lucy had said at that, opening her eyes, which as usual had been shut, because the commas of Wemyss's talk with her when they chanced to be alone were his soothing, soporific kisses dropped gently on her closed eyelids. 'Father——'

'Oh, you may remember yours,' he had answered, smiling tenderly down at the head lying on his breast. 'It's such a little one. But you'll see when you're older if your Everard wasn't right.'

To Wemyss in his new happiness it seemed that Vera had belonged to another life altogether, an elderly, stale life from which, being healthy-minded, he had managed to unstick himself and to emerge born again all new and fresh and fitted for the present. She was forty when she died. She had started life five years younger than he was, but had quickly caught him up and passed him, and had ended, he felt, by being considerably his senior. And here was Lucy, only twenty-two anyhow, and looking like twelve. The contrast never ceased to delight him, to fill him with pride. And how pretty she was, now that she had left off crying. He adored her bobbed hair that gave her the appearance of a child or a very young boy, and he adored the little delicate lines of her nose and nostrils, and her rather big, kind mouth that so easily smiled, and her sweet eyes, the colour of Love-in-a-Mist. Not that he set any store by prettiness, he told himself; all he asked in a woman was devotion. But her being pretty would make it only the more exciting when the moment came to show her to his friends, to show his little girl to those friends who had dared slink away from him after Vera's death, and say, 'Look here—look at this perfect little thing—she believes in me all right!'