| Giovanni Antonio Bazzi, called Sodoma From the portrait of himself in the Abbey of Monte Oliveto Maggiore | Alinari |
The world gossiped as to the cause of Raphael's neglect of his affianced. The most part declared him cold, absorbed only in love of his art, and some whispered that the Pope who was insatiable in his demands for his work, feared that marriage would lessen his enthusiasm for art, and had put off indefinitely the wedding-day, promising Raphael the Cardinal's hat if he remained a celibate.
While I could not believe that this was the true explanation of the estrangement between the lovers, I was far from suspecting the truth. Though I called upon Maria Dovizio I got no enlightenment in that quarter, nay, nor encouragement for my own passion, for when I put forth some timid essays, they were promptly crushed by a look of such reproach that I called myself brute as well as fool for my persistency.
Longing to do her service, I determined to haunt my friend until he should voluntarily confide the secret of the trouble, and if it were possible bring them together.
With this end in view, in all my leisure hours I frequented Raphael's studio, where he was painting the most glorious of his Madonnas for the monks of San Sisto. And here, posing for that divine work, I found again our child-model of Cetinale, the little Margherita.
She was no longer a child, for the years which had elapsed had transformed her into a woman; but she had retained her old characteristics of shyness, simplicity, and a worshipful love of Raphael. She had followed him to Rome, so he told me, like some faithful, dumb animal which could not live away from its master, and moved by her great affection he had given her lodging and employment as his model. There lacked not malicious tongues who called her his mistress; but so modest yet unabashed was her demeanour that I can well believe that she deserved to the end the honour which he paid in choosing her face as his ideal of all that is noblest in woman.
| Margherita (La Fornarina),
Attributed to Raphael Pitti Gallery, Florence | Alinari |