CONTENTS.
PART I.
| PAGE | |
| Personal—Mrs. Elizabeth Wells Gallup | 1 |
| Explanatory Introduction First Edition | 5 |
| Preface, Second Edition | 15 |
| Argument | 18 |
| Notes on the Shakespeare Plays | 28 |
| Stenography in the time of Queen Elizabeth | 35 |
| Francis Bacon, Biographical | 39 |
| Ciphers | 47 |
| Cyphars in Advancement of Learning, 1605 | 51 |
| Cyphars in De Augmentis | 52 |
| Bi-literal Cipher Plan and Illustration | 53 |
| Fac-simile pages from De Augmentis, 1624 | 57 |
| Fac-simile pages from Novum Organum, 1620 | 63 |
| Fac-simile title page Vitae et Mortis | 67 |
| Shakespeare Plays—Fac-simile Quarto Title Pages | 69 |
| Publisher’s Note | 76 |
BI-LITERAL CYPHER.
DECIPHERED SECRET STORY. 1579 to 1590.
| Shepheard’s Calender | 1579 | Anonymous | 79 |
| The Araygnement of Paris | 1584 | George Peele | 80 |
| The Mirrour of Modestie | 1584 | Robert Greene | 82 |
| Planetomachia | 1585 | Robert Greene | 87 |
| A Treatise of Melancholy | 1586 | T. Bright | 89 |
| Euphues-Morando | 1587 | Robert Greene | 91 |
| Perimedes-Pandosto | 1588 | Robert Greene | 93 |
| Spanish Masquerado | 1589 | Robert Greene | 94 |
PART II.
DECIPHERED SECRET STORY FROM
| EDMUND SPENSER: | PAGE |
| Complaints, 1591 | 1 |
| Colin Clout, 1595 | 3 |
| Faerie Queene, 1596 | 4 |
| Faerie Queene, second part | 7 |
| SHAKESPEARE QUARTO: | |
| Richard Second, 1598 | 10 |
| GEORGE PEELE: | |
| David and Bethsabe, 1599 | 11 |
| SHAKESPEARE QUARTOS: | |
| Midsommer Night’s Dream, 1600 | 12 |
| Midsommer Night’s Dream, Fisher Ed. | 13 |
| Much Ado About Nothing, 1600 | 14 |
| Sir John Oldcastle and Merchant of Venice, Roberts Ed., | |
| 1600 | 15 |
| Richard, Duke of York, 1600 | 18 |
| FRANCIS BACON: | |
| Treasons of Essex, 1601 | 20 |
| SHAKESPEARE QUARTO: | |
| London Prodigal, 1605 | 23 |
| FRANCIS BACON: | |
| Advancement of Learning, 1605 | 25 |
| SHAKESPEARE QUARTOS: | |
| King Lear, 1608 | 33 |
| King Henry The Fifth, 1608 | 34 |
| Pericles, 1609 | 35 |
| Hamlet, 1611 | 36 |
| Titus Andronicus, 1611 | 38 |
| EDMUND SPENSER: | |
| Shepheards Calender, 1611 | 40 |
| Faerie Queene, 1613 | 43 |
| BEN JONSON: | |
| Plays in Folio, 1616 | 49 |
| SHAKESPEARE QUARTOS: | |
| Richard The Second, 1615 | 72 |
| Merry Wives of Windsor, 1619 | 73 |
| Contention of York and Lancaster, 1619 | 74 |
| Pericles, 1619 | 77 |
| Yorkshire Tragedy, 1619 | 78 |
| Romeo and Juliet, no date | 79 |
| ROBERT GREENE: | |
| A Quip For an Upstart Courtier, 1620 | 80 |
| FRANCIS BACON: | |
| Novum Organum, 1620 | 81 |
| The Parasceve | 133 |
| Henry The Seventh, 1622 | 136 |
| CHRISTOPHER MARLOWE: | |
| Edward The Second, 1622 | 151 |
| FRANCIS BACON: | |
| Historia Vitæ & Mortis, 1623 | 153 |
| SHAKESPEARE PLAYS: | |
| First Folio, 1623 | 165 |
| ROBERT BURTON: | |
| Anatomy of Melancholy, 1628 | 218 |
| “Argument of the Iliad” | 220 |
| FRANCIS BACON: | |
| De Augmentis Scientiarum, 1624 | 310 |
| “Argument of the Odysses” | 313 |
| New Atlantis, 1635 | 334 |
| Sylva Sylvarum, 1635, Rawley’s Preface | 339 |
| Natural History | 341 |
| William Rawley’s Note | 368 |