France in the Nineteenth Century

by Elizabeth Wormeley Latimer

The first was Fieschi; the second was called Morey; the third was a grocer named Pepin.

The two last had been arrested on the testimony of Nina Lassave, who had had Fieschi for her lover. The life of this man had been always base and infamous. He was a Corsican by birth, and had been a French soldier. He had fought bravely, but after his discharge he had been imprisoned for theft and counterfeiting. He led a wandering life from town to town, living on his wits and indulging all his vices. He had even succeeded in getting some small favors from Government; but finding that he could not long escape punishment for crimes known to the police, he undertook, apparently without any especial motive, the wholesale murder of king, court, and princes.

During his imprisonment his vanity had been so great that the officers of the Crown played upon it in order to obtain confessions and information.

The only witness against Morey was Nina Lassave, who insisted that, Fieschi having invented the murderous instrument, Morey had devised a use for it, and that Pepin had furnished the necessary funds for its completion.

I give Louis Blanc's account of Fieschi's behavior on his trial, because when foreign nations have reproached us for the scandal of the license granted to the murderer of President Garfield on his trial, I have never seen it remarked that Guiteau's conduct was almost exactly like that of Fieschi.

"With effrontery, with a miserable kind of pride, and with smiles of triumph on his lips, he alluded to his victims with theatrical gesticulations, and plumed himself on the magnitude of his own infamy, answering his judges by ignoble buffooneries, playing the part of an orator, making pretensions to learning, looking round to see what effect he was producing, and courting applause. And some of those who sat in judgment on him did applaud. At each of his atrocious vulgarisms many of the Peers laughed, and this laugh naturally encouraged him. Did he make a movement to rise, voices called out: 'Fieschi desires to say something, Monsieur le Président! Fieschi is about to speak!' The audience was unwilling to lose a word that might fall from the lips of so celebrated a scoundrel. He could hardly contain himself for pride and satisfaction. His bloody hand was eager to shake hands with the public, and there were those willing to submit to it. He exchanged signs with the woman Nina who was seated in the audience. He posed before the spectators with infinite satisfaction. What more can we say? He directed the proceedings. He prompted or browbeat the witnesses, he undertook the duties of a prosecuting attorney. He regulated the trial.... He directed coarse jokes at the unhappy Pepin; but reckless as he was, he dared not meddle with Morey. He had no hesitation in accusing himself. He owned himself the worst of criminals, and declared that he esteemed himself happy to be able to pay with his own blood for the blood of the unhappy victims of his crime. But the more he talked about his coming fate, the plainer it was that he expected pardon, and the more he flattered those on whom that pardon might depend."

The trial lasted twelve days, and very little was elicited about the conspiracy,—if indeed there was one. Suddenly Pepin, whose terror had been abject, rallied his courage, refused to implicate Morey or to make revelations, and kept his resolution to the last.

One of the five prisoners was acquitted, one was condemned to a brief imprisonment, and Morey, Pepin, and Fieschi were sent to the block. Up to almost the last moment Fieschi expected pardon; but his last words were to his confessor: "I wish I could let you know about myself five minutes from now."

On the scaffold Morey's white hair elicited compassion from the spectators. Pepin at the last moment was offered a pardon if he would tell whence the money came that he had advanced to Fieschi. He refused firmly, and firmly met his fate.

The next day the woman who had betrayed her lover and the rest was presiding at a café on the Place de la Bourse, having been engaged as an attraction!