I remember that, in the pauses of the reading, Mr. Powers, who was present, amused one or two children about him by drawing odd little caricatures on a stray bit of note paper, which is, by the way, still in my possession. Doubtless Mr. Powers’ reputation rests upon his statues, not his caricatures; yet these particular ones have an immense value for me, dashed off with a twinkle in the artist’s beautiful dark eyes.
There was also present on this occasion a beautiful young lady, for whom Mr. Read had just written some birthday verses, which he read to us, after having completed the reading of the larger manuscript. Those birthday verses have haunted me ever since, and this, although I cannot recall a word of the more ambitious poem.
Mr. Powers had lived for so many years in Florence that he was by right of that, if by no other right, the patriarch of the American colony there. He and his large family were most intensely American, in spite of their long expatriation. His was emphatically an American home, as completely so as though the Arno and the Appenines had been, instead, the Mississippi and the Alleghanies. This was no doubt due to the fact that Mrs. Powers was preëminently an American wife and mother, large-hearted and warm-hearted. She never forgot the household traditions of her youth. She baked mince-pies and pumpkin-pies at Christmas and Thanksgiving, and dispensed these bounties to her countrymen with a lavish hand. Then, too, the Powers lived in a house, and not in an apartment, or, as we say, on a flat. The children ran up and down-stairs, and in and out their own yard, which lay between the dwelling-house and the studio, just as American children do. And in this genial, wholesome home an artist grew up in the second generation. A son of Mr. Powers is now making name and fame for himself in his father’s profession.
It has been said that the beautiful face of the eldest daughter of this family is suggested in her father’s “Greek Slave.” I looked up to her then with the respect which a child feels for an elder girl, “a young lady in society.” I can appreciate now and admire, even more than I did then, the extreme simplicity and unconsciousness which so well accorded with her grand, classic beauty. She was the good fairy at a Christmas Tree Festival, to which all the American girls and boys in Florence were bidden, on the twenty-fifth of December. We were all presented with most exquisitely made bonbonnieres, chiefly of home manufacture. We were feasted on doughnuts which brought tears to some of our eyes; dear American doughnuts, that might have been fried in the land of the free. We had French candy ad libitum; but there was also on exhibition a pound or so of genuine American stick candy, such as we see by the bushel in this country, and which had been brought over from the United States by a friend recently arrived, at Mrs. Powers’ special request We examined this stick candy with patriotic enthusiasm. We ate little bits of it, and thought it infinitely better than our candied fruits and chocolate creams. Doubtless this little incident here recalled will account for the fact that I always associate peppermint stick candy with the flag of the Union. It is an unfortunate caprice of mind; but, nevertheless, the national stripes always rise before me when I see these red and white sticks.
I am inclined to the belief that exiles make the best patriots. We American children stood up fiercely for our own native land, whenever the question as to national superiority arose between ourselves and English, French, or Italian children,—especially the English. With these we fought the Revolutionary war all over again, hotly, if injudiciously. And I am confident that we had a personal and individual sense of superiority over them. No doubt we were endowed, even at that early age, with the proverbial national conceit. Some one had told me that every American was a sovereign, and that I was consequently a princess in my own right. This became a conviction with me, and greatly increased my self-importance. How glorious to be the citizen of a country of such magnificent gifts of citizenship!
But to return to Mr. Powers. His statue of California was on exhibition at this time. This is, to my mind, the most noble and impressive of his works. The strong, resolute face, of classic outlines, and of the sterner type of beauty, bears a distinct resemblance to the sculptor’s second daughter, although by no means a portrait. It has been told me that one of the fathers of our American church, traveling in Italy, suggested an important alteration in this statue. California originally carried in her hand a bar, supposed to represent a bar of solid gold. The idea occurred to the bishop that were this smooth bar—which might mean anything—made to represent a nugget of gold in the rough, the point of the story would be far more effectively told; and on this idea the bishop spoke. The sculptor was impressed directly, and with all the unaffected simplicity of real genius he thanked his critic for the hint. California now displays her symbolic nugget; and, moreover, about her head is designed a fillet of bits of ore in the rough.
The America of Powers is another impressive and beautiful female form. A vision of the sculptor comes before my eyes, standing in front of this statue, and talking it over with a party of visitors. Such a beautiful, simple-mannered man—with his mild dark eyes and serene face! He wore the usual blouse and linen apron, and the cap of the sculptor. He held his chisel in his hand as he conversed. Some of his audience did not agree with him in the peculiar political views he held. But Mr. Powers would not argue, and what need? Had he not preached his sermon in stone and eloquently!
The wisest Child in the village in school