“Where are we, my Alan?”
“I know not where this leads,” said Alan, “but it is the only road I dared take.”
Hungry, tired and worn, they crept on along the little narrow ledge. Suddenly a cave, lighted from without through slits in the wall, burst on their view, and Chlorie gave a startled exclamation. “The Hall of our Fathers,” she cried, “I have been here before.”
“What is it?”
“This is the place where the regalia of each reigning Rorka is placed, together with his throne, when he has left the fair land of Keemar, through the Sacrament of Schlerik-itata.” Round the cave were thrones of all descriptions—some in heavy marble—others in gold adorned with precious jewels; others just simple, wooden thrones, that showed their antiquity.
“Down, down on your knees,” cried Chlorie, and Alan realized that the cave had become alive with living figures. The thrones were occupied by men who wore crowns of gold and jewels, and who carried sceptre and orb in their hands. The cave that had been dead and cold only a minute before, was now alive. But there was no sound; all was hushed and still, and the figures were shadowy and unreal. “Oh my Mitzor,” breathed Chlorie. “The joy! To think I should have been permitted to witness this scene—to see the wraiths of my forefathers. My Alan, watch—read a meaning in this visitation, for it augurs well.”
Alan felt unable to move. He was petrified at the sight before him—at the ghostly pageant of years gone by. Slowly the Rorkas—kings of æons past—rose from their thrones and walked in single file to the end of the cave. There they ranged themselves on either side of a slightly raised platform of rock. They prostrated themselves, and Alan saw a thin vapour rise and like a curtain shut out from sight the little stage. Then it lifted, and through the shadowy film he saw strange figures disporting themselves amid the strange scenery. Then, all at once, he realized that he was watching shadowy figures of himself and Desmond and Mavis. He saw their little cottage at Arroch Head; he witnessed their hasty flight in the Argenta; once more he saw the destruction of the world, his world. But this time it was different. Like a tiny star it shone white and bright, then it shivered, turned red like a tiny ball of fire in the sky, burst into a thousand different pieces, and then disappeared from sight. And as it disappeared the scene clouded again, and the filmy curtain of haze shut out the picture from his sight. The scene changed—once more he saw himself as an actor on the stage, but this time he was a minor character in the drama. Kulmervan was the villain, and played the chief character. He witnessed their meeting in the little lane—he watched the flight of the air bird, Chlorie—the descent, and the abduction of the Ipso-Rorka. So the play went on until one more picture showed clearly before him. He saw Chlorie—Chlorie in a gown of diaphanous white with a crown of gold upon her head. By her side he stood, crowned and with orb in hand; and between them stood a child—a man child who bore traces of his mother’s beauty and his father’s strength. Then darkness came upon the scene, and Alan drew his trembling love still closer beside him.
Then the wraiths of the Rorkas became faint and misty, and when next he looked, they had vanished from sight.
“We shall win through, my Alan,” said Chlorie. “The wraiths of our Rorkas never show themselves except to the favoured few.”
“Do you know the way out from here?”