Barren Ground

by Ellen Anderson Gholson Glasgow

The thing that worried her most, and she had puzzled over this from the minute she came down the steps of the hospital, was the curious impression in her mind that she had seen everything and everybody before. Every face was familiar to her. She seemed to have known each person who passed her in some former time and place, which she dimly remembered; and each reminded her, in some vague resemblance of contour, feature, or shifting expression, of the way Jason had looked when she first loved him. "Just as I was trying to forget him," she thought, with irritation, "everybody begins to look like him."

When the car came, and she got on and found a seat beside a fat German, who was buried in his newspaper, this senseless irritation still persisted. "Maybe if I stop looking at their faces and keep my eyes fixed on their clothes, the resemblance will pass away," she told herself resolutely. "What a funny hat, just like a cabbage, that woman is wearing, and the man with her has on a tie like a little boy's. He must be an artist. I read in some book that artists wore velvet coats and flowing ties." Then, inadvertently, she raised her eyes to the face of the stranger, and discovered that he was gazing at her with a look that reminded her of Jason. Even the fat German wore a familiar expression when he turned to touch the bell and glanced down at her as he rose to go out of the car.

At the lodging-house, where she had to explain her case all over again, she was still haunted by this delusive resemblance. There might have been a general disintegration and reassembling of personalities since she had gone to the hospital, and she felt that she had seen them all before in other circumstances and other periods.

Alone, at last, in her little room, she dropped wearily on the hard bed, which, like the wife of the proprietor, bulged in the wrong places, and lay, without seeing or hearing, surrendered to the grey hollowness of existence. Sheer physical weakness kept her motionless for an hour; and when at the end of that time, she lifted her hands to take off her hat, she felt as if she were recovering from the effects of an anæsthetic. Gradually, as the stupor wore off, she became aware of the objects around her; of the hissing gas jet, which burned in the daytime; of the dirty carpet, with an ink splotch in the centre; of the unsteady washstand that creaked under its own weight; of the stale ashes of a cigar in the top of the soap dish; of the sharp ridge down the middle of the bed on which she was lying. And she thought clearly, "No matter how bad it is, I've got to go through with it."

The hardest thing, she knew, that she had to face was not the wreck of her happiness, but the loss of a vital interest in life. Even people who were unhappy retained sometimes sufficient interest in the mere husk of experience to make life not only endurable but even diverting. With her, however, she felt that she had nothing to expect and nothing to lose. One idea had possessed her so completely that now, when it had been torn out from the roots like a dying nerve, there was no substitute for happiness that she could put in its place. "I've finished with love," she repeated over and over. "I've finished with love, and until I find something else to fill my life, I shall be only an empty shell. . . ."

Rising from the bed, she opened her bag and unfolded her dresses. None of them would do for New York, she realized. All of them, she saw now, were absurd and countrified. As she shook out the blue nun's veiling, she said to herself, "If I hadn't bought this dress, perhaps he would never have fallen in love with me, and than I should still be living at Old Farm, and Ma would have her cow and nothing would have happened that has happened." She laughed with the perverse humour that she had brought back out of the depths of unconsciousness. If only one could get outside of it and stand a little way off, how ridiculous almost any situation in life would appear! Even those moments when she had waited in anguish at the fork of the road were tinged with irony when they revived now in her memory. "All the same I wouldn't go through them again for anything that life could offer," she thought.

[IV]

Dorinda stood in Doctor Faraday's office and looked out into East Thirty-seventh Street. Beneath her there was a grey pavement swept by wind and a few pale bars of sunshine. She saw the curved iron railing of the porch and the steps of the area, where an ashcan, still unemptied, awaited the call of the ashcart. A fourwheeler, driven by a stout, red-faced driver, was passing in the street; at the corner an Italian youth with a hunchback was selling shoe-strings; on the pavement in front of the house, a maltese cat, wearing a bell on a red ribbon, sunned himself lazily while he licked the fur on his stomach. Overhead, the vault of the sky appeared remote, colourless, as impenetrable as stone.

When she turned into the house, she knew to weariness what she should find awaiting her. A narrow oval room, with sand-coloured walls, curtains of brown damask, and furniture of weathered oak, which was carved and twisted out of all resemblance to her mother's cherished pieces of mahogany. On the long tables piles of old magazines lay in orderly rows. In the fireplace three neat gas logs shed a yellow flame shot with blue sparkles. Very far apart, three patients were sitting, with strained expectant eyes turned in the direction of the folding doors which led into the inner office. In the last two years she had learned to know the office and the street outside as if they were books which she had studied at school.

Standing there, she thought idly of her new dress of navy blue poplin. She knew that she looked well in it, that the severe white linen collar and cuffs suited the grave oval of her face. Though she had lost her girlish softness and bloom, she had gained immeasurably in dignity and distinction, and people, she noticed, turned to look at her now when she went out alone in the street. The severe indifference of her expression emphasized the richness of her lips and the vivid contrast of her colouring. Her eyes had lost their springtime look, but they were still deeply blue beneath the black, shadows of her lashes. Young as she was she had acquired the ripe wisdom and the serene self-confidence of maturity; she had attained the immunity from apprehension which comes to those only who can never endure the worst again. Yet she was not unhappy. In the security of her disenchantment there was the quiet that follows a storm.