"Doesn't she care for it?"
"I don't know. I sometimes think she hates it, but I know it would kill her to leave it. It is like a bad heart. You may suffer from it, but it is your life, and it would kill you to lose it." She broke off, pondered deeply for a few moments, and then added impulsively, "If I had the money, I'd go back and start a dairy farm there."
While she spoke a vision glimmered between the windy dusk in the Park and the orange light of the afterglow. She saw it with an intensity, an eagerness that was breathless;—the fields, the roads, the white gate, the long low house, the lamp shining in the front window. For the first time she could think of Old Farm without invoking the image of Jason. For the first time since she had left home, she felt that earlier and deeper associations were reaching out to her, that they were groping after her, like the tendrils of vines, through the darkness and violence of her later memories. Earlier and deeper associations, rooted there in the earth, were drawing her back across time and space and forgetfulness. Passion stirred again in her heart; but it was passion transfigured, recoiling from the personal to the impersonal object. It seemed to her, walking there in the blue twilight, that the music had released some imprisoned force in the depths of her being, and that this force was spreading out over the world, that it was growing wider and thinner until it covered all the desolate country at Old Farm. With a shock of joy, she realized that she was no longer benumbed, that she had come to life again. She had come to life again, but how differently!
"I feel as if the farm were calling to me to come back and help it," she said.
That night she dreamed of Pedlar's Mill. She dreamed that she was ploughing one of the abandoned fields, where the ghostly scent of the life-everlasting reminded her of the smell of her mother's flowered bandbox when she took it out of the closet on Sunday mornings—the aroma of countless dead and forgotten Sabbaths. Dan and Beersheba were harnessed to the plough, and when they had finished one furrow, they turned and looked back at her before they began another. "You'll never get this done if you plough a hundred years," they said, "because there is nothing here but thistles, and you can't plough thistles under." Then she looked round her and saw that they were right. As far as she could see, on every side, the field was filled with prickly purple thistles, and every thistle was wearing the face of Jason. A million thistles, and every thistle looked up at her with the eyes of Jason! She turned the plough where they grew thickest, trampling them down, uprooting them, ploughing them under with all her strength; but always when they went into the soil, they cropped up again. Millions of purple flaunting heads! Millions of faces! They sprang up everywhere; in the deep furrow that the plough had cut; in the dun-coloured clods of the upturned earth; under the feet of the horses; under her own feet, springing back, as if they were set on wire stems, as soon as she had crushed them into the ground. "I am going to plough them under, if it kills me," she said aloud; and then she awoke. A chill wind was blowing the white curtains at the window. Was it only her imagination, or did the wind, blowing over the city, bring the fragrance of pine and life-everlasting? For an instant, scarcely longer than a quick breath, she felt a sensation of physical nearness, as if some one had touched her. Then it vanished, leaving her in a shudder of memory. It was not love; of this she was positive. Was it hate which had assumed, in the moment between sleep and waking, the physical intensity of love? It was the first time she had dreamed of Jason. Long after she had ceased to think of him, she told herself resentfully.
The next morning, when office hours were over, she went to the library and asked for a list of books on dairy farming. She read with eagerness every one that was given to her, patiently making notes, keeping in her mind the peculiar situation at Old Farm. When Doctor Burch arranged for the course of lectures, she attended them regularly, adding, with diligence, whatever she could to her knowledge of methods; gleaning, winnowing, storing away in her memory the facts which she thought might some day be useful. Before her always were the neglected fields. She saw the renewal of promise in the land; the sowing of the grain, the springing up, the ripening, the immemorial celebration of the harvest. She saw the yellowing waves of wheat, the poetic even swath falling after the mower. "All that land," she thought, "all that land wasted!" The possibility of the dairy farm haunted her mind. Enterprise, industry, and a little capital with which to begin! That was all that one needed. If she could start with a few cows, six perhaps, and do all the work of the dairy herself, it might be managed. But Old Farm must be made to pay, she decided emphatically. Old Farm with a thousand acres could supply sufficient pasture and fodder for as many cows as she would ever be likely to own. "If I could get the labour it wouldn't be so hard," she thought one day, while she was sitting by the window in the nursery. "If I could buy the cows and hire a little extra labour, it wouldn't be impossible to make a success." Then her spirit drooped. "You can't do anything without a little money," she thought, and laughed aloud. "Not much, but a little makes all the difference."
"What are you laughing at, Dorinda?" asked Mrs. Faraday, turning from the crib, where she was bending over the baby.
"I was thinking I'd give anything I've got for six—no, a dozen cows."
"Cows?"
"At Old Farm. It hurts me to think of all that land wasted."