"Yes, it's all mine." Walking over to the edge of the porch, Dorinda looked across the vague, glimmering fields. Another autumn had gone. Another sunset like the heart of a pomegranate was fading out in the west. Again the wandering scents of wood smoke and rotting leaves came and went on the wind.
For an instant, the permanence of material things, the inexorable triumph of fact over emotion, appeared to be the only reality. These things had been ageless when her mother was young; they would be still ageless when she herself had become an old woman. Over the immutable landscape human lives drifted and vanished like shadows.
[XIV]
When she looked back on the years that followed her mother's death, Dorinda could remember nothing but work. Out of a fog of recollection there protruded bare outlines which she recognized as the milestones of her prosperity. She saw clearly the autumn she had turned the eighteen-acre field into pasture; the failure of her first experiment with ensilage; the building of the new dairy and cow-barns; the gradual increase of her seven cows into a herd. Certain dates stood out in her farm calendar. The year the blight had fallen on her cornfield and she had had to buy fodder from James Ellgood; the year she had first planted alfalfa; the year she had lost a number of her cows from contagious abortion; the year she had reclaimed the fields beyond Poplar Spring; the year her first prize bull had won three blue ribbons. With the slow return of fertility to the soil, she had passed, by an unconscious process, into mute acquiescence with the inevitable. The bitter irony of her point of view had shaded into a cheerful cynicism which formed a protective covering over her mind and heart. She had worked relentlessly through the years; but it was work that she had enjoyed, and above all it was work that had created anew the surroundings amid which she lived. In a changed form her mother's frustrated passion to redeem the world was finding concrete expression.
At thirty-three, the perspective of the last ten years was incredibly shortened. All the cold starry mornings when she had awakened before day and crept out to the barn by lantern light to attend to the milking, appeared to her now as a solitary frozen dawn. All the bleak winters, all the scorching summers, were a single day; all the evenings, when she had dreamed half asleep in the firelit dusk, were a single night. She could not separate these years into seasons. In her long retrospect they were crystallized into one flawless pattern.
Through those ten years, while she struggled to free the farm from debt, she had scrimped and saved like a miser; and this habit of saving, she knew, would cling to her for the rest of her life. She went without butter; she drank only buttermilk, in order that she might keep nothing back from the market. Her clothes were patched and mended as long as they held together, and she had stopped going to church because her pride would not suffer her to appear there in overalls, or in the faded calico dresses she wore in the house. Though she was obliged to hire women to help her with the milking and in the dairy, she herself worked harder than any of them. Nothing, she told herself grimly, could elude her vigilance. In her passionate recoil from the thriftlessness of the poor, she had developed a nervous dread of indolence which reminded her of her mother. She went to bed, stupefied by fatigue, as soon as the last pound of butter was wrapped for the early train; yet she was up again before the break of day while the hands were still sleeping. And only Fluvanna, who lived in the house with her now, knew the hours she spent beside her lamp counting the pounds of butter and the number of eggs she had sent to market. If only she could save enough to pay off the mortgage and return the money she had borrowed from the Faradays, she felt that she should begin to breathe freely for the first time in her life.
And there was more than hard work in her struggle; there was unflagging enterprise as well. Her father had worked harder than she could ever do, toiling summer and winter, day and night, over the crops, which always failed because they were expected to thrive on so little. She remembered him perpetually hauling manure or shredding fodder, until he loomed in her memory as a titanic image of the labourer who labours without hope. "The truth is, I would rather have failed at the start than have gone on like that," she thought. "I was able to take risks because I was too unhappy to be afraid." Yes, she had had the courage of desperation, and that had saved her from failure. Without borrowed money, without the courage to borrow money, she could never have made the farm even a moderate success. This had required not only perseverance but audacity as well; and it had required audacity again to permeate the methodical science of farming with the spirit of adventure. Interest, excitement even, must be instilled into the heartless routine. The hours of work never varied. Chores were done by necessity, as in the old days without system, but by the stroke of the clock. Each milker had her own place, and milked always the same cows. After the first trial or two, Dorinda had yielded to the reluctance of the cow when her accustomed milker was changed. She had borrowed money again, "hiring money" they called it at Pedlar's Mill, to buy her first Jersey bull; but the daughters of that bull were still her best butter-making cows.
Gradually, as the years passed, her human associations narrowed down to Fluvanna's companionship and the Sunday afternoon visits of Nathan Pedlar and his children. The best years of her youth, while her beauty resisted hard work and sun and wind, were shared only with the coloured woman with whom she lived. She had prophesied long ago that Fluvanna would be a comfort to her, and the prophecy was completely fulfilled. The affection between the two women had outgrown the slender tie of mistress and maid, and had become as strong and elastic as the bond that holds relatives together. They knew each other's daily lives; they shared the one absorbing interest in the farm; they trusted each other without discretion and without reserve. Fluvanna respected and adored her mistress; and Dorinda, with an inherited feeling of condescension, was sincerely attached to her servant. Though Dorinda still guarded the reason of her flight to New York, she did this less from dread of Fluvanna's suspecting the truth than from secret terror of the enervating thought of the past. That was over and done with, and every instinct of her nature warned her to let dead bones lie buried. Sometimes on winter nights, when the snow was falling or the rain blowing in gusts beyond the window, the two women would sit for an hour, when work was over, in front of the log fire in Dorinda's room which had once been her mother's chamber. Then they would talk sympathetically of the cows and the hens, and occasionally they would speak of Fluvanna's love affairs and of Dorinda's years in the city. The coloured girl would ask eager questions in the improved grammar her mistress had taught her. "I don't see how you could bear to come back to this poky place. But, of course, when yo' Pap died somebody had to be here to look after things. I don't reckon you'll ever go back, will you?"
"No, I shall never go back. I had enough of it when I was there."
"Wouldn't you rather look at the sights up there than at cows and chickens?"