CHAPTER I

DISENCHANTMENT

In July Gabriella joined her mother in the mountains of Virginia, and when she returned in the autumn, she found that the character of her home had changed perceptibly during her absence. Brightness had followed gloom; the fog of suspense had dissolved, and the hazy sunshine of an ambiguous optimism flooded the house. What the change implied she could not immediately discover; but before the first day was over she surmised that the financial prospects of her father-in-law had improved since the spring. If she had had any doubt of his rising fortunes, the sight of the diminished pile of bills on Mrs. Fowler's desk would have quickly dispelled it.

And even George had apparently altered for the better. His improved finances had sweetened his temper and cast the shining gloss of prosperity over his appearance; and, in a measure at least, time had revived in him the ardent, if fluctuating, emotions of the lover. For three months after her return, he evinced a fervent sentiment for Gabriella, which she, who was staunchly paying the price of her folly, received with an inner shrinking but an outward complaisance. Her feeling for George was quite dead—so dead that it was impossible for any artificial stimulus to revive it—but she had learned that marriage is founded upon a more substantial basis than the romantic emotions of either a wife or a husband. Though she had ceased to love George, she could still be amiable to him; and it occurred to her at times that if one had to choose between the two not necessarily inseparable qualities of love and amiability, George was not losing greatly by the exchange. When, however, at the end of three months, George's capricious symptoms disappeared as suddenly as they had come, and his attentions lapsed into casual expressions of a nonchalant kindness, she drew a breath of relief, and devoted her happiest days to the nursery. There at least she had found a stable refuge amid the turmoil of selfish human desires.

In the house, which like George, began presently to show the gloss of prosperity, the winter brought a continuous flashing stream of gaiety, in which Mrs. Fowler darted joyously about like some bright hungry minnow beneath the iridescent ripples of a brook. There were new rugs, new curtains, new gowns, new bonnets; and Gabriella was led compliantly from dressmaker to milliner, until she lost in the process her look of shabbiness and developed into the fashionable curving figure of the period. She had always liked clothes; her taste was naturally good; and as she followed eagerly from shop to shop, she recalled the three months she had spent in Brandywine's millinery department, and the rudiments of a trade she had learned there. "I'd rather design my next gown myself," she said one day to Mrs. Fowler, while they were looking at French models in the establishment of Madame Dinard, who had been born an O'Grady. "I know I can do better than these, and besides I shan't meet duplicates of myself every time I go out." That night she dreamed of hats and gowns, and the next morning she drew pictures of them in coloured chalk. "It's the only talent I ever had," she remarked gaily to her mother-in-law, "and it is running to waste."

Madame, who regarded the sketches with uncompromising disdain, showed great interest in the practical application of Gabriella's ideas to the dressing of Mrs. Fowler.

"Yes, you have undoubtedly ideas," she said, discarding in her enthusiasm the accent she had spent twenty years in acquiring, "and there is nothing so rare in any department—in any walk of life—as ideas. You have style, too," she pursued admiringly, turning her eyes on Gabriella's figure in one of her Parisian models. "It is very rare—such chic. You wear your clothes with a grace."

"That, also, is a marketable asset in a dressmaker," laughed Gabriella. "Do you know I ought to have been a dressmaker, Madame. Only I hate the very sight of a needle."

"But I never sew! I haven't had a needle in my hand for twenty years—no, not for thirty," protested Madame.