"No, I'm not going to the party, Marthy, but ask him to wait just a minute."
"He's settin' over yonder in de parlour wid his overcoat on."
"Well, ask him to take it off; I'll be there in a moment." She spoke as gravely as Marthy had done, yet in her face there was a light play of humour.
Two years ago she would have thrilled with joy at the thought that Arthur was waiting for her; but in those two years since her engagement she had grown to look upon her first love as the gossamer, fairylike romance of a child. For months she had known that the engagement must be broken sooner or later; and she knew now, while she listened to Marthy's shuffling feet hastening to deliver her message, that she must break it to-night. In the dim pool of her mirror a face looked back at her that was not the face of Arthur Peyton; she saw it take form there as one sees a face grow gradually into life from the dimness of dreams. It was, she told herself to-night, the very face of her dream that she saw.
"Well, I must get it over," she said with a sternness which gave her a passing resemblance to the Saint Memin portrait of the Reverend Bartholomew Berkeley; "I've got to get it over to-night, and whatever happens I've got to be honest." Then, with a last glance at the sleeping children, she lowered the gas, and went across the darkened hail, which smelt of pickles and bacon because one end of it was used as a storeroom.
The parlour had been swept since the family council had deliberated there over Jane's destiny. The scraps of cambric had been gathered up from the threadbare arabesques in the carpet; the chairs had been placed at respectable distances apart; the gas-jets in the chandelier were flaming extravagantly under the damaged garlands; and the sewing machine had been wheeled into the obscurity of the hail, for it would have humiliated Gabriella's mother to think that her daughter received young men in a room which looked as if somebody had worked there.
When Gabriella entered, Arthur Peyton was standing in front of the fireplace, gazing abstractedly at his reflection in the French mirror. Though his chestnut hair was carefully brushed, he had instinctively lifted his hand to smooth down an imaginary lock, and while he did this, he frowned slightly as if at a recollection that had ruffled his temper. His features were straight and very narrow, with the look of sensitiveness one associates with the thoroughbred, and the delicate texture of his skin emphasized this quality of high-breeding, which was the only thing that one remembered about him. In his light-gray eyes there was a sympathetic expression which invariably won the hearts of old ladies, and these old ladies were certain to say of him afterward, "such a gentleman, my dear—almost of the old school, you know, and we haven't many of them left in this hurrying age."
He had done well, though not brilliantly, at college, for his mind, if unoriginal, had never given anybody, not even his mother, the least bit of trouble. For three years he had worked with admirable regularity in the office of his uncle, Carter Peyton, one of the most distinguished lawyers in the Virginia of his period, and it was generally felt that young Arthur Peyton would have "a brilliant future." For the present, however, he lived an uneventful life with his widowed mother in a charming old house, surrounded by a walled garden, in Franklin Street. Like the house, he was always in perfect order; and everything about him, from his loosely fitting clothes and his immaculate linen to his inherited conceptions of life, was arranged with such exquisite precision that it was impossible to improve it in any way. He knew exactly what he thought, and he knew also his reason, which was usually a precedent in law or custom, for thinking as he did. His opinions, which were both active and abundant, were all perfectly legitimate descendants of tradition, and the phrase "nobody ever heard of such a thing," was quite as convincing to him as to Mrs. Carr or to Cousin Jimmy Wrenn.
"Gabriella, aren't you going?" he asked reproachfully as the girl entered.
"Oh, Arthur, we've had such a dreadful day! Poor Jane has left Charley for good and has come home, with all the children. We've been busy dividing them among us, and we're going to turn the dining-room into a nursery.