"That was a nightmare," he thought, "and now for the pleasant dream. I'll go to the old print shop and see my Cousin Corinna."


CHAPTER III

CORINNA OF THE OLD PRINT SHOP

As Stephan left the Square there floated before him a picture of the old print shop in Franklin Street, where Corinna Page (still looking at forty-eight as if she had stepped out of a portrait by Romney) sat amid the rare prints which she never expected to sell. After an unfortunate early marriage, her husband had been Kent Page, her first cousin, she had accepted her recent widowhood, if not with relief, well, obviously with resignation. For years she had wandered about the world with her father, Judge Horatio Lancaster Page, who had once been Ambassador to Great Britain. Now, having recently returned from France, she had settled in a charming country house on the Three Chopt Road, and had opened the ridiculous old print shop, a shop that never sold an engraving, in a quaint place in Franklin Street. She had rented out the upper floors to a half-dozen tenants, had built a couple of rooms beside the kitchen for the caretaker, and had planted two pyramidal cedars and a hedge of box in the short front yard. "A shop is the only place where you may have calls from people who haven't been introduced to you," she had said; and of course as long as she had money to throw away, what did it matter, Stephen reflected, whether she ever sold a picture or not? At forty-eight she was lovelier, he thought, than ever; she would always be lovelier than any one else if she lived to be ninety. There wasn't a girl in his set who could compare with her, who had the glow and charm, the flame-like inner radiance; there wasn't one who had the singing heart of Corinna. Yes, that was the phrase he had been trying to remember, trite as it was—the singing heart—that was Corinna. She had had a hard life, he knew, in spite of her beauty and her wealth; yet she had never lost the quality of youth, the very essence of gaiety and adventure. When he thought of her, Patty Vetch appeared merely cheap and common, though he felt instinctively that Corinna would have liked Patty if she had seen her in the Square with the pigeon. It was a part of Corinna's charm perhaps, certainly a part of her enjoyment of life that she liked almost every one—every one, that is, except Rose Stribling, whom she quite frankly hated. But, then, people said that Rose Stribling, twelve years younger than Corinna and as handsome as a Red Cross poster, had run too often across Kent Page in the first year of the war. Kent Page had died in Prance of Spanish influenza before he ever saw a trench or a battlefield; and Rose Stribling, all blue eyes and white linen, had nursed him at the last. At that time Corinna was in America, and she hadn't so much as looked at Kent for years; but a woman has a long memory for emotions, and she is capable of resenting the loss of a husband who is no longer hers. Rumour, of course, nothing more; yet the fact remained that Corinna, who liked all the world, hated Rose Stribling. It was the one flaw in Corinna's perfection; it was the black patch on the stainless cheek, which had always made her adorable to Stephen. Like the snow-white lock waving back from her forehead, it intensified the youth in her face. He had often wondered if she could have been half so lovely when she was a girl, before the faint shadows and the tender little lines lent depth and mystery to her eyes, and the single white lock swept back amid the powdered dusk of her hair.

While the young man walked rapidly up Franklin Street, he saw before him the long delightful room beyond the pyramidal cedars and the hedge of box. He saw the ruddy glow of the fire mingling with the paler light of amber lamps, and this mingled radiance shining on the rich rugs, the few old brocades, and the rare English prints which covered the walls. He saw wide-open creamy roses in alabaster bowls which were scattered everywhere, on tables, on stools, on window-seats, and on the rich carving of the Spanish desk in one corner. Against the curtains of gold silk there was the bough of twisted pine he had broken, and against the pine branch stood the figure of Corinna in her gown of soft red, which melted like a spray of autumn foliage into the colours of the room. She was a tall woman, with a glorious head and eyes that reminded Stephen of a forest pool in autumn. Who had first said of her, he wondered, that she looked like an October morning?

As he approached the shop the glow shone out on him through the dull gold curtains, and he traced the crooked pine bough sweeping across the thin silk background like the bold free sketch of a Japanese print. When he rang the bell a minute later, the door was opened by Corinna, who was holding a basket of marigolds.

"We were just going," she said, "as soon as I had put these flowers in water."

She drew back into the room, bending over the low brown bowl that she was filling, while Stephen went over to the fire, and greeted the two old men who were sitting in deep arm chairs on either side of the hearth. It was like stepping into another world, he thought, as he inhaled a full breath of the warmth and the fragrance of roses; it was as if a door into a dream had suddenly opened, and he had passed out of the night and the cold into a place where all was colour and fragrance and pleasant magic. The other was real life—life for all but the happy few, he found himself thinking—this was merely the enchanted fairy-ring where children played at making believe.

"I hoped I'd catch you," he said, stretching out his hands to the log fire. "I felt somehow that you hadn't gone, late as it is." While he spoke he was thinking, not of Corinna, but of the strange woman he had left in the Square. Queer how that incident had bitten into his mind. Try as he might he couldn't shake himself free from it.