Notwithstanding the depressing hour she had just passed, and the old vulgarity which had shocked her with a new violence, she was conscious, moving to and fro in the shadows, of a strange happiness—of a warmth of feeling which pervaded her from head to foot, which fluttered in her temples and burned like firelight in her open palms. The place was home to her, she realised at last, and the surroundings of her married life—the foreign towns and the enchanting Italian scenery—showed in her memory with a distant and alien beauty. Here was what she loved, for here was her right, her heritage—the desolate red roads, the luxuriant tobacco fields, the primitive and ignorant people. In her heart there was no regret for any past that she had known, for over the wild country stretching about her now there hung a romantic and mysterious haze.

A little later she was aroused from her reverie by Miss Saidie, who came in with a lighted lamp in her hand.

"Don't you need a light, Maria? I never could abide to sit in the dark."

"Oh, yes; bring it in. There, put it on the bureau and sit down by the fire, for I want to talk to you. No, I'm not a bit tired; I am only trying to fit myself again in this room. Why, I don't believe you've changed a pin in the pincushion since I went away."

Miss Saidie dusted the top of the bureau with her apron before she placed the tall glass lamp upon it.

"Thar warn't anybody to stay in it," she answered, as she sat down in a deep, cretonne-covered chair and pushed back the hickory log with her foot. "I declare, Maria, I don't see what you want to traipse around with that little poor-folksy yaller dog for. He puts me in mind of the one that old blind nigger up the road used to have."

"Does he?" asked Maria absently, in the voice of one whose thoughts are hopelessly astray.

She was standing by the window, holding aside the curtain of flowered chintz, and after a moment she added curiously: "There's a light in the fields, Aunt Saidie. What does it mean?"

Crossing the room, Miss Saidie followed the gesture with which
Maria pointed into the night.

"That's on the Blake place," she said; "it must be Mr.
Christopher moving about with his lantern."