She looked up, startled.
"Oh, Christopher, you have worked for Fletcher?"
Tears shone in her eyes and her mouth quivered. "Oh, Christopher!" she repeated, and the emotional quality in her voice rang strong and true. He fell back, angered, while the hand she had stretched out dropped limply to her side.
"For God's sake, don't snivel," he retorted harshly. "Send the money and give her the wine, but dole it out like a miser, for where the next will come from is more than I can tell."
"The pay for my sewing is due in three days," said Cynthia, raising her roughened hand on which the needle-scars showed even in the moonlight. "Mother has worried so to-day that I couldn't work except at odd moments, but I can easily manage to sit up to-night and get it done. She thinks I'm embroidering an ottoman, you see, and this evening she asked to feel the silks."
He uttered a savage exclamation.
"Oh, I gave her some ravellings from an old tidy," she hastened to assure him. "She played with them awhile and knew no better, as I told her the colours one by one. Afterward she planned all kinds of samplers and fire-screens that I might work. Her own knitting has wearied her of late, so we haven't been obliged to buy the yarn."
"She doesn't suspect, you think?"
Cynthia shook her head. "After fifteen years of deception there's no danger of my telling the truth to-day. I only wish I could," she added, with that patient dignity which is the outward expression of complete renouncement. When she lifted her tragic face the tears on her cheeks softened the painful hollows, as the moonbeams, playing over her gown of patched and faded silk, revived for a moment the freshness of its discoloured flowers.
"The truth would be the death of her," said the young man, in a bitter passion of anxiety. "Tell her that Fletcher owns the Hall, and that for fifteen years she has lived, blind and paralysed, in the overseer's house! Why, I'd rather stick a knife into her heart myself!"