"Dat's so, Miss Cynthy, dat's so, 'caze 'twuz dem ar wuds dat rile 'er mos'. She 'low she done been in subjection fur gwine on fifty years widout knowin' hit."

He finished his coffee at a gulp and leaned back in his chair.

"En now des fem me hyear how ole I is," he wound up sorrowfully.

"The twelfth of August, 18— (that's the date of your birth), makes you—let me see—you'll be seventy years old next summer. There, now, since you've found out what you wanted, you'd better spend the night with Uncle Boaz."

"Thanky, ma'am, but I mus' be gwine back agin," responded Uncle
Isam, shuffling to his feet, "en ef you don' min', Marse
Christopher, I'd like a wud wid you outside de do'."

Laughing, Christopher rose from his chair and, with a patriarchal dignity of manner, followed the old man into the moonlight.

CHAPTER VI. Carraway Plays Courtier

At twelve o'clock the next day, Carraway, walking in the June brightness along the road to the Blake cottage, came suddenly, at the bend of the old icepond, upon Maria Fletcher returning from a morning ride. The glow of summer was in her eyes, and though her face was still pale, she seemed to him a different creature from the grave, repressed girl of the night before. He noticed at once that she sat her horse superbly, and in her long black habit all the sinuous lines of her figure moved in rhythm with the rapid pace.

As she neared him, and apparently before she had noticed his approach, he saw her draw rein quickly, and, screened by the overhanging boughs of a blossoming chestnut, send her glance like a hooded falcon across the neighbouring field. Following the aim of her look, he saw Christopher Blake walking idly among the heavy furrows, watching, with the interest of a born agriculturist, the busy transplanting of Fletcher's crop. He still wore his jean clothes, which, hanging loosely upon his impressive figure, blended harmoniously with the dull-purple tones of the upturned soil. Beyond him there was a background of distant wood, still young in leaf, and his bared head, with the strong, sunburned line of his profile, stood out as distinctly as a portrait done in early Roman gold.

That Maria had seen in him some higher possibility than that of a field labourer was soon evident to Carraway, for her horse was still standing on the slight incline, and as he reached her side she turned with a frank question on her lips.