"HERE LIES ALL THAT IS MORTAL OF CHRISTOPHER BLAKE, WHO DIED IN THE HOPE OF A JOYFUL RESURRECTION, APRIL 12, 1786, AGED 70 YEARS. INTO THY HANDS, O LORD, I COMMIT MY SPIRIT."
Around him there were other graves—graves of all dead Blakes for two hundred years, and the flat tombstones were crowded so thickly together that it seemed as if the dead must lie beneath them row on row. It was all in deep shadow, fallen slabs, rank periwinkle, dust and mould—no cheerful sunshine had ever penetrated through the spreading cedars overhead. Life was here, but it was the shy life of wild creatures, approaching man only when he had returned to earth. A mocking-bird purled a love note in the twilight of a great black cedar, a lizard glided like a gray shadow along one of the overturned slabs, and at his entrance a rabbit had started from the ivy on his father's grave. To climb the overgrown wall and lie upon the periwinkle was like entering, for a time, the world of shades—a world far removed from the sunny meadow and the low green hill.
With his head pillowed upon his father's grave, Christopher stretched himself at full length on the ground and stared straight upward at the darkbrowed cedars. It was such an hour as he allowed himself at long intervals when his inheritance was heavy upon him and his disordered mind needed to retreat into a city of refuge. As a child he had often come to this same spot to dream hopefully of the future, unboylike dreams in which the spirit of revenge wore the face of happiness. Then, with the inconsequence of childhood, he had pictured Fletcher gasping beneath his feet—trampled out like a worm, when he was big enough to take his vengeance and come again into his own. Mere physical strength seemed to him at that age the sole thing needed—he wanted then only the brawny arm and the heart bound by triple brass.
Now, as he stretched out his square, sunburned hand, with its misshapen nails, he laughed aloud at the absurdity of those blunted hopes. To-day he stood six feet three inches from the ground, with muscles hard as steel and a chest that rang sound as a bell, yet how much nearer his purpose had he been as a little child! He remembered the day that he had hidden in the bushes with his squirrel gun and waited with fluttering breath for the sound of Fletcher's footsteps along the road. On that day it had seemed to him that the hand of the Lord was in his own Godlike vengeance nerving his little wrist. He had meant to shoot—for that he had saved every stray penny from his sales of hogs and cider, of watermelons and chinkapins; for that he had bought the gun and rammed the powder home. Even when the thud of footsteps beat down the sunny road strewn with brown honeyshucks, he had felt neither fear nor hesitation as he crouched amid the underbrush. Rather there was a rare exhilaration, warm blood in his brain and a sharp taste in his mouth like that of unripe fruit—as if he had gorged himself upon the fallen honeyshucks. It was the happiest moment of his life, he knew, the one moment when he seemed to measure himself inch by inch with fate; and like all such supreme instants, it fell suddenly flat among the passing hours. For even as the gun was lifted, at the very second that Fletcher's heavy body swung into view, he heard a crackling in the dead bushes at his back, and Uncle Boaz struck up his arm with a palsied hand.
"Gawd alive, honey, you don' wanter be tucken out an' hunged?" the old man cried in terror.
The boy rose in a passion and flung his useless gun aside. "Oh, you've spoiled it! you've spoiled it!" he sobbed, and shed bitter tears upon the ground.
To this hour, lying on his father's grave, he knew that he regretted that wasted powder—that will to slay which had blazed up and died down so soon. Strangely enough, it soothed him now to remember how near to murder he had been, and as he drank the summer air in deep drafts he felt the old desire rekindle from its embers. While he lived it was still possible—the one chance that awaits the ready hand, the final answer of a sympathetic heaven that deals out justice. His god was a pagan god, terrible rather than tender, and there had always been within him the old pagan scorn of everlasting mercy. There were moods even when he felt the kinship with his savage forefathers working in his blood, and at such times he liked to fit heroic tortures to heroic crimes to imagine the lighted stake and his enemy amid the flames. Over him as he lay at full length the ancient cedars, touched here and there with a younger green, reared a dusky tent that screened him alike from the hot sunshine and the bright June sky. Somewhere in the deepest shadow the mocking-bird purled over its single note, and across the lettering on the marble slab beside him a small brown lizard was gliding back and forth. The clean, fresh smell of the cedars filled his nostrils like a balm.
For a moment the physical pleasure in his surroundings possessed his thoughts; then gradually, in a state between waking and sleeping, the curious boughs above took fantastic shapes and were interwoven before his eyes with his earlier memories. There was a great tester bed, with carved posts and curtains of silvery damask, that he had slept in as a child, and it was here that he had once had a terrible dream—a dream which he had remembered to this day because it was so like a story of Aunt Delisha's, in which the devil comes with a red-hot scuttle to carry off a little boy. On that night he had been the little boy, and he had seen the scuttle with its leaping flames so plainly that in his terror he had struggled up and screamed aloud. A moment later he had awakened fully, to find a lighted candle in his face and his father in a flowered dressing-gown sitting beside the bed and looking at him with his sad, bloodshot eyes. "Is the devil gone, father, and did you drive him away?" he asked; and then the tall, white-haired old man, whose mind was fast decaying, did a strange and a pitiable thing, for he fell upon his knees beside the bed and cried out upon Christopher for forgiveness for the selfishness of his long life. "You came too late, my son," he said; "you came twenty years too late. I had given you up long ago and grown hopeless. You came like Isaac to Abraham, but too late—too late!" The boy sat up in bed, huddling in the bedclothes, for the night was chilly. He grew suddenly afraid of his father, the big, beautiful old man in the flowered dressing-gown, and he wished that his mother would come in and take him away. "But I came twins with Lila, father," he replied, trying to speak bravely. "With Lila! Oh, my poor children! my poor children!" cried the old man, and, taking up his candle, tottered to the door. Then Christopher stopped his ears in the pillows, for he heard him moaning to himself as he went back along the hall. He felt all at once terribly frightened, and at last, slipping down the tall bed-steps, he stole on his bare feet to Cynthia's door and crept in beside her. After this, dim years went by when he did not see his father, and the great closed rooms on the north side of the house were as silent as if a corpse lay there awaiting burial. His beautiful, stately mother, who, in spite of her gray hair, had always seemed but little older than himself, vanished as mysteriously from his sight—on a thrilling morning when there were many waving red flags and much hurried marching by of gray-clad troops. Young as he was, he was already beginning to play his boy's share in a war which was then fighting slowly to a finish; and in the wild flutter of events he forgot, for a time, to do more than tip softly when he crossed the hall. She was ill, they told him—too ill to care even about the battles that were fought across the river. The sound of the big guns sent no delicious shivers through her limbs, and there was only Lila to come with him when he laid his ear to the ground and thrilled with the strong shock which seemed to run around the earth. When at last her door was opened again and he went timidly in, holding hands with Lila, he found his mother sitting stiffly erect among her cushions as she would sit for the remainder of her days, blind and half dead, in her Elizabethan chair. His beautiful, proud mother, with the smiling Loves painted above her head!
For an instant he shut his eyes beneath the cedars, seeing her on that morning as a man sees in his dreams the face of his first love. Then another day dawned slowly to his consciousness—a day which stood out clear-cut as a cameo from all the others of his life. For weeks Cynthia's eyes had been red and swollen, and he commented querulously upon them, for they made her homelier than usual. When he had finished, she looked at him a moment without replying, then, putting her arm about him, she drew him out upon the lawn and told him why she wept. It was a mellow autumn day, and they passed over gold and russet leaves strewn deep along the path. A light wind was blowing in the tree-tops, and the leaves were still falling, falling, falling! He saw Cynthia's haggard face in a flame of glowing colours. Through the drumming in his ears, which seemed to come from the clear sky, he heard the ceaseless rustle beneath his feet; and to this day he could not walk along a leaf-strewn road in autumn without seeing again the blur of red-and-gold and the gray misery in Cynthia's face.
"It will kill mother!" he said angrily. "It will kill mother!
Why, she almost died when Docia broke her Bohemian bowl."