"Does Miss Oldcastle take the leading part?"
"Yes."
Crossing the room, Oliver held out his hands to the fire, and then turning, stretched his arms, with a stifled yawn, above his head. The only fault that could be urged against his appearance was that his figure was becoming a trifle square, that he was beginning to look a little too well-fed, a little too comfortable. For the rest, his hair, which had gone quite grey, brought out the glow and richness of his colour and lent a striking emphasis to his dark, shining eyes.
"Do you think that the new play is as good as 'Pretty Fanny'?" asked Virginia.
"Well, they're both rot, you know," he answered, with a laugh.
"Oh, Oliver, how can you, when all the papers spoke so admiringly of it?"
"Why shouldn't they? It is perfectly innocuous. The kind of thing any father might take his daughter to see. We shan't dispute that, anyhow."
His flippancy not only hurt, it confused her. It was painful enough to have him speak so slightingly of his success, but worse than this was the feeling it aroused in her that he was defying authority. Even if her innate respect for the printed word had not made her accept as final the judgment of the newspapers, there was still the incontestable fact that so many people had paid to see "Pretty Fanny" that both Oliver and Miss Oldcastle had reaped a small fortune. She glanced in a helpless way at Harry, and he said suddenly:
"Don't you think Jenny ought to come home to be with mother after Lucy marries? You are obliged to go to New York so often that she will get lonely."
"It's a good idea," agreed Oliver amiably, "but there's another case where you'll have to use greater authority than mine. When I stopped reforming people," he added gaily, "I began with my own family."