As the Carian queen foretold, the Persians were defeated. Yet, though she openly disapproved of the battle, Artemisia behaved most gallantly throughout. The Athenians, indignant that a woman should dare to appear in arms against them, offered ten thousand drachmas for her capture, alive or dead. The way she escaped displayed great presence of mind, though it also showed how unscrupulous she was in the choice of stratagems. Closely pursued by an Athenian ship (commanded by Aminias of Pallene, the brother of Æschylus), escape seemed impossible. But with her customary decision of mind, the queen hung out Grecian colours, and turned her arms against a Persian vessel. This cost her no feelings of regret, for on board the ship was Damasithymus, King of Calynda, with whom she had some private quarrel. Her pursuers, seeing her send a Persian ship to the bottom of the sea, concluded that she belonged to their navy, and so gave up the pursuit.
Xerxes, from an elevated post on shore, saw the disgraceful flight of his own navy, together with the bravery of Artemisia. When he could no longer doubt that it was she who performed such gallant deeds, he exclaimed, in astonishment, that the men had behaved like women, while the women had displayed the courage of men.
Like most warlike leaders, Artemisia was not at all scrupulous as to the means employed, provided the end answered her expectations. Wishing to possess herself of Latmus, a small city which lay temptingly near to Halicarnassus, she placed her troops in ambush, and under pretence of celebrating the feast of Cybele in a wood consecrated to that goddess, she repaired thither with a grand procession, accompanied by drums and trumpets. The people of Latmus ran out in crowds to witness the show, while Artemisia's troops took possession of the city.
The ultimate fate of Artemisia proves how true it is that "love rules the court, the camp, the grove." She fell violently in love with a native of Abydos, a young man named Dardanus; but her passion was not reciprocated. To punish his disdain, she first put out his eyes, and then took the noted "Lover's Leap" from the promontory Leucas—now Santa Maura.
Artemisia II., who lived more then one hundred and thirty years after the former heroine, has frequently been confounded with her, as both were queens of Caria. The second of that name was daughter of King Hecatomus, and is principally famous for the honours which she paid to the memory of her husband, Mausolus, to whom she erected a magnificent tomb at Halicarnassus, which monument was afterwards reckoned as one of the Seven Wonders of the World.
Most writers represent Artemisia as plunged in tears during her widowhood; but there are some who, on the contrary, declare that she made some important conquests at that time. Vitruvius relates that the Rhodians, indignant that a woman should reign over Caria, despatched a fleet to Halicarnassus to dethrone Artemisia. The queen commanded the citizens to appear on the walls directly the Rhodians came in sight, and to express, by shouts and clapping of hands, their readiness to surrender. The enemy, falling into the trap, disembarked, and went with all haste to the city, leaving their ships without even one man to guard them.
Artemisia came out with her squadron from the little port, entered the great harbour, and seized the Rhodian vessels. Putting her own men on board she sailed to Rhodes, where the people, seeing their own ships return adorned with laurel-wreaths, received them with every demonstration of joy. No resistance was offered to the landing; and Artemisia seized the city, putting to death the leaders of the people.
She caused a trophy to be erected, and set up two statues—one representing the city of Rhodes, and the other an image of herself, branding the former figure with a red-hot iron. Vitruvius says the Rhodians were forbidden by their religion to destroy this memorial; so they surrounded it by a lofty building which concealed it from view.