Civilization: Tales of the Orient

by Ellen N. La Motte

Only it did not come—the typhoon. They said it would, but it failed. Has it gone shooting off into the Pacific, futile? So the damp, stifling heat lingers, and the toll of cholera rolls slowly upward day by day.

It is a long way from Nikko to Tokyo by motor. A hundred miles, when one can cross the bridge, but the bridge is washed away now, so a detour of many more miles is necessary, to ferry the motor across the Tonegawa on a flat bottomed, frail boat. The motor sinks nearly to the hubs in the blazing, glaring sands of the dry river bed, and many naked coolies are needed to push and pull it through the hot sands, and work it into the boat. In the glaring sun of noon, the broad river lies motionless, like a sheet of glowing steel. Children bathe in the river, and the sweating coolies dip their brown bodies in it, and the sun beats down pitiless. A junk gets loose from its moorings, and drifts down stream, stern first, on the slow current. Who cares? No one. It will beach itself presently, on a mud flat, and can be recovered towards evening. The great heat lies over all the land, and cholera is in the slowly flowing water, and the fishermen and the coolies and the children live and work and play by the river bank, and they have no fear of it, because they are ignorant.

From Nikko to the capital, the road runs through village after village, endlessly, mile after mile. On each side of the village street are straw thatched houses, and along the roads coolies bend under great loads, carried on poles across their shoulders. Black bulls drag giant loads on two wheeled carts, their masters straining beside them. The bulls' mouths are open, their tongues hang out, and saliva drools out in streams. It leaves a wet, irregular wake, in the dust of the roadside, behind the carts. By and by, the men will stop for food and drink. They cannot choose what it shall be. They cannot afford to choose. But the food of the Emperor is carefully selected. Physicians examine those who handle it, who bring it to the Palace, to see that they are in good health. They examine the food, disinfect it, see to its cooking. News of this is in the papers each day, not to show that the Emperor is afraid, but to set an example to his subjects.

In the houses along the roadside, little tradesmen are at work, all naked in the heat. Or else they are bathing. For all along the high road from Nikko to the capital, following its every bend and turning, runs a ditch or channel filled with water. Sometimes the water is clean and rushing, sometimes foul and stagnant and evil smelling. And all the way along the high road people are bathing in this ditch or channel, in the foul or running water, as it happens. They stand naked, knee deep, men and children, while the women wash and bathe also, but more modestly. Also, besides their bodies, they wash much else in this long ditch,—clothes, pots, what-not. Very dirty seems this channel, sewer, bath tub, as you please. And cholera is abroad in the land.

At the entrance to the temples sits the image of Binzuru. Long ago, when history was new and the gods were young, Binzuru, one of the sixteen great disciples, broke his vow of chastity by remarking on the beauty of a woman. So he was put outside the temples. His image no longer rests upon the altars, with those of the calm, serene ones. He's disgraced, expelled, no longer fit to sit upon the altars, with the cold, serene ones, in their colossal calm. He's so human now, outside the temples. Sitting on a chair for human beings to touch him, now he's off the altar, he's in contact with humanity. The devout ones rub his wooden image—there is no bronze or gold in poor Binzuru's makeup. So the people rub his wooden image, rub his ears, his head, his forehead, rub his arms, his legs, his shoulders. How they suffer, human beings! How their bodies ache and suffer, judged by poor Binzuru's body! For if you rub Binzuru on the part which hurts you in your body, and then rub your body with a hand fresh from Binzuru, you will be cured. Your pain will go. That's true. Binzuru is polished smooth and shining, quite deformed with rubbing—his poor head's a nubbin! And in gratitude for what he's done for people, he sits now on a pile of cushions, one for each new cure. Bibs and caps adorn him too, votive offerings from the faithful whom he's cured.

But he is no good for cholera, poor Binzuru. You can't reach him quick enough to rub his stomach, then your own. Cholera's too quick for that. You can't reach him soon enough. He can't help in this.

Down the road a stretcher comes, swinging from a bamboo pole, carried on the shoulders of two men. Over it a mat is thrown, and through the little open triangle at one end, you see a pair of brown legs lying. Only legs, no more. Drawn up stiffly, toes clinched.

Here in the hospital they lie in rows, very quiet. Not an outcry, not a murmur. Everything is swimming in carbolic. The nurses wear masks across their mouths and noses. They come and go in clogs, barefooted, and splash through the carbolic on the floors. This is cholera. These people, lying so quietly upon their hard pillows, have cholera. It is not spectacular. All are poor folk, fishermen, sailors, farmers, shopkeepers, all the ignorant, the stupid, who were not afraid. One is dying. Nose pinched, gasping, bathed in sweat. The hot air can't warm him. He is dying, cold.

So there is cholera in the land, and fear of cholera. Those who were not afraid have cholera. With them it is a matter of a few days only, one way or the other. But those who have fear of cholera have something which lasts much longer, weeks and weeks. Till the heat breaks. Till the typhoon comes.