"Well, then, the song in '[The Belle's Stratagem]'! That has no accompaniment!"
"No," I used to answer, "but it isn't a song. It's a look here, a gesture there, a laugh anywhere, and Henry Irving's face everywhere!"
Miss [Winifred Emery] came to us for "The Belle's Stratagem" and played the part that I had played years before at the Haymarket. She was bewitching, and in her white wig in the ball-room, beautiful as well. She knew how to bear herself on the stage instinctively, and could dance a minuet to perfection. The daughter of Sam Emery, a great comedian in a day of comedians, and the granddaughter of the Emery, it was not surprising that she should show aptitude for the stage.
[Mr. Howe] was another new arrival in the Lyceum company. He was at his funniest as Mr. Hardy in "The Belle's Stratagem." It was not the first time that he had played my father in a piece (we had acted father and daughter in "The Little Treasure"), and I always called him "Daddy." The dear old man was much liked by every one. He had a tremendous pair of legs, was bluff and bustling in manner, though courtly too, and cared more about gardening than acting. He had a little farm at Isleworth, and he was one of those actors who do not allow the longest theatrical season to interfere with domesticity and horticulture! Because of his stout gaitered legs and his Isleworth estate, Henry called him "the agricultural actor." He was a good old port and whisky drinker, but he could carry his liquor like a Regency man.
He was a walking history of the stage. "Yes, my dear," he used to say to me, "I was in the original cast of the first performance of 'The Lady of Lyons,' which [Lord Lytton] gave Macready as a present, and I was the original François when 'Richelieu' was produced. Lord Lytton wrote this part for a lady, but at rehearsal it was found that there was a good deal of movement awkward for a lady to do, so I was put into it."
"What year was it, Daddy?"
"God bless me, I must think.... It must have been about a year after Her Majesty took the throne."
For forty years and nine months old Mr. Howe had acted at the Haymarket Theater! When he was first there, the theater was lighted with oil lamps, and when a lamp smoked or went out, one of the servants of the theater came on and lighted it up again during the action of the play.
It was the acting of Edmund Kean in "Richard III." which first filled Daddy Howe with the desire to go on the stage. He saw the great actor again when he was living in retirement at Richmond—in those last sad days when the [Baroness Burdett-Coutts] (then the rich young heiress, Miss Angela Burdett-Coutts), driving up the hill, saw him sitting huddled up on one of the public seats and asked if she could do anything for him.
"Nothing, I think," he answered sadly. "Ah yes, there is one thing. You were kind enough the other day to send me some very excellent brandy. Send me some more."[5]