"Here's the Prince of Happyland,
Once he dwelt at the Lyceum;
Here's another Prince at hand,
But being invisible, you can't see him!"
"Here's the Prince of Happyland,
Once he dwelt at the Lyceum;
Here's another Prince at hand,
But being invisible, you can't see him!"
"Here's the Prince of Happyland,
Once he dwelt at the Lyceum;
Here's another Prince at hand,
But being invisible, you can't see him!"
"Here's the Prince of Happyland,
Once he dwelt at the Lyceum;
Here's another Prince at hand,
But being invisible, you can't see him!"
"Here's the Prince of Happyland,
Once he dwelt at the Lyceum;
Here's another Prince at hand,
But being invisible, you can't see him!"
"Here's the Prince of Happyland,
Once he dwelt at the Lyceum;
Here's another Prince at hand,
But being invisible, you can't see him!"
"Here's the Prince of Happyland,
Once he dwelt at the Lyceum;
Here's another Prince at hand,
But being invisible, you can't see him!"
"Here's the Prince of Happyland,
Once he dwelt at the Lyceum;
Here's another Prince at hand,
But being invisible, you can't see him!"
Probably the Prince of Wales must have wished the singer at—well, not at the Haymarket Theater; but the next minute he must have been touched by the loyal greeting that he received. When the audience grasped the situation, every one—stalls, boxes, circle, pit, gallery—stood up and cheered and cheered again. Never was there a more extraordinary scene in a playhouse—such excitement, such enthusiasm! The action of the play came to a full stop, but not the cheers. They grew louder and louder, until the Prince came forward and bowed his acknowledgments. I doubt if any royal personage has ever been so popular in England as he was. Of course he is popular as King too, but as Prince of Wales he came nearer the people. They had more opportunities of seeing him, and they appreciated his untiring efforts to make up by his many public appearances for the seclusion in which the [Queen] lived.